Leave - Part 2 - Original Mix by Mihalis Safras cover art

Leave - Part 2 - Original Mix

Mihalis Safras

Key
4A · F minor
BPM
127
Open Key
9m
Energy
83/100
Pop
0/100
Length
7:19
Released
2010
Album
Leave / High
Genre
Tech House
Loudness
-9.4 dB
ISRC
GB3C31000080

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Other versions

Leave - Part 2 - Original Mix: peak-time tempo tech house, F minor (4A), 127 BPM. The groove is strong and floor-ready. The mix is almost entirely instrumental. A 2010 production that still circulates in sets. More underground than 99% of Mihalis Safras's catalogue.

Groove:
less groove-driven than 85% of Mihalis Safras's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy83
Mood59Balanced
Groove76
Acoustic1
Instrumental75
Live12
Speech5

Frequency spectrum

amplitude · bass → treble

FAQ

What key is Leave - Part 2 - Original Mix in?

Leave - Part 2 - Original Mix by Mihalis Safras is in F minor, or 4A on the Camelot wheel.

What BPM is Leave - Part 2 - Original Mix?

Leave - Part 2 - Original Mix runs at 127 BPM, a peak-time tempo track.

What mixes well with Leave - Part 2 - Original Mix?

From 4A it blends harmonically with 5A, 4B, 3A. Moving to 5A lifts the energy a step.

Is Leave - Part 2 - Original Mix good for peak time?

With energy 83 out of 100 at 127 BPM, it works best as a peak-time weapon.

Mixes harmonically

4A3A · 5A · 4B

From 4A, 5A (C minor) lifts the energy a step; 4B (A♭ major) brightens to the relative major; 3A (B♭ minor) cools the energy down a step.

#TrackKey·BPM

Every move from 4A

5ASimple Mix Upper
3ASimple Mix Downer
4BTonal Shift·
5BDiagonal Mix Upper
3BDiagonal Mix Downer
1BCompatible Tone·
6AHigh Energy Boost▲▲▲
2AHigh Energy Drain▼▼▼
7AParallel Key Upper▲▲
1AParallel Key Downer▼▼
11ATritone Jump▲▲
8ARelated Keyrisky

How to mix it

In 4A at 127 BPM: 5A (C minor) — move to 5A to push the floor harder; 4B (A♭ major) — switch to 4B for a mood change without losing the groove; 3A (B♭ minor) — drop to 3A to bring the room down gently.

Pitch range at ±6%: 119-135 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 11A rather than 4A; below -5% it reads as 9A. With key lock on, it stays 4A across the whole range.

Programming: a peak-time weapon — save it for the main stretch (energy 83/100).

Similar tempo

Within ±3 BPM of 127 — beatmatch without a big tempo pull.

#TrackKey·BPM

More tech house

#TrackKey·BPM

More from Mihalis Safras

Full profile
#TrackKey·BPM

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 127 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#TrackKey·BPM

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