The Rex In You Isn’t The You You Thought Was In You - Rex The Dog Remix
30s preview
- BPM
- 127
- Open Key
- 3d
- Energy
- 83/100
- Pop
- 2/100
- Length
- 6:53
- Released
- 2020
- Album
- The You in You Isn't the You You Thought Was in You Remixes
- Genre
- Tech House
- Loudness
- -10.5 dB
- Dynamics
- 24.2 dB
- ISRC
- UKFMN1600121
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
A peak-time tempo tech house cut, The Rex In You Isn’t The You You Thought Was In You - Rex The Dog Remix sits in D major (10B) at 127 BPM. The feel is punchy, neutral in mood. The mix is almost entirely instrumental. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 24 dB). More treble-tilted than 91% of Third Son's catalogue.
- Reach:
- better known than 89% of Third Son's catalogue
- Energy:
- hotter than 75% of Third Son's catalogue
- Brightness:
- brighter than 75% of Third Son's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 31%
- Low
- 30-130 Hz
- 30%
- Low-mid
- 130-570 Hz
- 24%
- Upper-mid
- 570 Hz-2.5 kHz
- 15%
- High
- 2.5-11 kHz
FAQ
What key is The Rex In You Isn’t The You You Thought Was In You - Rex The Dog Remix in?
The Rex In You Isn’t The You You Thought Was In You - Rex The Dog Remix by Third Son is in D major, or 10B on the Camelot wheel.
What BPM is The Rex In You Isn’t The You You Thought Was In You - Rex The Dog Remix?
The Rex In You Isn’t The You You Thought Was In You - Rex The Dog Remix runs at 127 BPM, a peak-time tempo track.
What mixes well with The Rex In You Isn’t The You You Thought Was In You - Rex The Dog Remix?
From 10B it blends harmonically with 11B, 10A, 9B. Moving to 11B lifts the energy a step.
Is The Rex In You Isn’t The You You Thought Was In You - Rex The Dog Remix good for peak time?
With energy 83 out of 100 at 127 BPM, it works best as a peak-time weapon.
Mixes harmonically
10B → 9B · 11B · 10AFrom 10B, 11B (A major) lifts the energy a step; 10A (B minor) settles into the relative minor; 9B (G major) cools the energy down a step.
How to mix it
In 10B at 127 BPM: 11B (A major) — move to 11B to push the floor harder; 10A (B minor) — switch to 10A for a mood change without losing the groove; 9B (G major) — drop to 9B to bring the room down gently.
Pitch range at ±6%: 119-135 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5B rather than 10B; below -5% it reads as 3B. With key lock on, it stays 10B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 83/100).
Similar tempo
Within ±3 BPM of 127 — beatmatch without a big tempo pull.
More tech house
More from Third Son
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 127 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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