Always on My Mind (Franky Rizardo remix)
30s preview
- Key
- 9B · G major
- BPM
- 127
- Open Key
- 2d
- Energy
- 81/100
- Pop
- 36/100
- Length
- 3:26
- Released
- 2021
- Genre
- House
- Loudness
- -7.3 dB
- Dynamics
- 12.4 dB
- ISRC
- GBKCF2101060
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Always On My Mind - Franky Rizardo Extended Remixremix9B · 127
Always on My Mind (Franky Rizardo remix) is a peak-time tempo house track in G major (9B) at 127 BPM. Tonally it lands bright and euphoric. Rhythmically it is built for the dancefloor. The master keeps unusual dynamic range for club music (crest 12 dB). Brighter than 96% of Franky Rizardo's catalogue. For programming, treat it as a peak-time weapon.
- Reach:
- better known than 90% of Franky Rizardo's catalogue
- Low end:
- more treble-tilted than 90% of Franky Rizardo's catalogue
- Groove:
- less groove-driven than 78% of Franky Rizardo's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 32%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 22%
- Upper-mid
- 570 Hz-2.5 kHz
- 18%
- High
- 2.5-11 kHz
FAQ
What key is Always on My Mind (Franky Rizardo remix) in?
Always on My Mind (Franky Rizardo remix) by Franky Rizardo is in G major, or 9B on the Camelot wheel.
What BPM is Always on My Mind (Franky Rizardo remix)?
Always on My Mind (Franky Rizardo remix) runs at 127 BPM, a peak-time tempo track.
What mixes well with Always on My Mind (Franky Rizardo remix)?
From 9B it blends harmonically with 10B, 9A, 8B. Moving to 10B lifts the energy a step.
Is Always on My Mind (Franky Rizardo remix) good for peak time?
With energy 81 out of 100 at 127 BPM, it works best as a peak-time weapon.
Mixes harmonically
9B → 8B · 10B · 9AFrom 9B, 10B (D major) lifts the energy a step; 9A (E minor) settles into the relative minor; 8B (C major) cools the energy down a step.
How to mix it
In 9B at 127 BPM: 10B (D major) — move to 10B to push the floor harder; 9A (E minor) — switch to 9A for a mood change without losing the groove; 8B (C major) — drop to 8B to bring the room down gently.
Pitch range at ±6%: 119-135 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4B rather than 9B; below -5% it reads as 2B. With key lock on, it stays 9B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 81/100).
Similar tempo
Within ±3 BPM of 127 — beatmatch without a big tempo pull.
More house
More from Franky Rizardo
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Beyond strict key and genre matches: tracks that still sit in beatmatch range of 127 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.