Lose Your Love - Extended Mix by Kevin McKay cover art

Lose Your Love - Extended Mix

Kevin McKay

Key
8B · C major
BPM
127
Open Key
1d
Energy
80/100
Pop
1/100
Length
6:38
Released
2020
Album
Lose Your Love
Genre
House
Loudness
-6.3 dB
ISRC
UKFDK0030091

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Other versions

Against the original (8B at 127 BPM), this version holds the same tempo in the same key.

At 127 BPM in C major (8B), Lose Your Love - Extended Mix is a peak-time tempo house production. The feel is bright and euphoric. Rhythmically it is built for the dancefloor. Brighter than 90% of Kevin McKay's catalogue. For programming, treat it as a peak-time weapon.

Tempo:
faster than 81% of Kevin McKay's catalogue
Groove:
groovier than 76% of Kevin McKay's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy80
Mood92Bright
Groove82
Acoustic0
Instrumental52
Live8
Speech5

Frequency spectrum

amplitude · bass → treble

FAQ

What key is Lose Your Love - Extended Mix in?

Lose Your Love - Extended Mix by Kevin McKay is in C major, or 8B on the Camelot wheel.

What BPM is Lose Your Love - Extended Mix?

Lose Your Love - Extended Mix runs at 127 BPM, a peak-time tempo track.

What mixes well with Lose Your Love - Extended Mix?

From 8B it blends harmonically with 9B, 8A, 7B. Moving to 9B lifts the energy a step.

Is Lose Your Love - Extended Mix good for peak time?

With energy 80 out of 100 at 127 BPM, it works best as a peak-time weapon.

Mixes harmonically

8B7B · 9B · 8A

From 8B, 9B (G major) lifts the energy a step; 8A (A minor) settles into the relative minor; 7B (F major) cools the energy down a step.

Every move from 8B

9BSimple Mix Upper
7BSimple Mix Downer
8ATonal Shift·
9ADiagonal Mix Upper
7ADiagonal Mix Downer
11ACompatible Tone·
10BHigh Energy Boost▲▲▲
6BHigh Energy Drain▼▼▼
11BParallel Key Upper▲▲
5BParallel Key Downer▼▼
3BTritone Jump▲▲
12BRelated Keyrisky

How to mix it

In 8B at 127 BPM: 9B (G major) — move to 9B to push the floor harder; 8A (A minor) — switch to 8A for a mood change without losing the groove; 7B (F major) — drop to 7B to bring the room down gently.

Pitch range at ±6%: 119-135 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 3B rather than 8B; below -5% it reads as 1B. With key lock on, it stays 8B across the whole range.

Programming: a peak-time weapon — save it for the main stretch (energy 80/100).

Similar tempo

Within ±3 BPM of 127 — beatmatch without a big tempo pull.

#TrackKey·BPM

More house

#TrackKey·BPM

More from Kevin McKay

Full profile
#TrackKey·BPM

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 127 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#TrackKey·BPM

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