Back & Forth feat. JDub - Jason Hodges Dub Mix
30s preview
- Key
- 8A · A minor
- BPM
- 127
- Open Key
- 1m
- Energy
- 83/100
- Pop
- 0/100
- Length
- 6:43
- Released
- 2010
- Album
- Back & Forth, Pt. 2
- Genre
- House
- Loudness
- -12.5 dB
- Dynamics
- 10.5 dB
- ISRC
- NLZ501000036
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Back & Forth feat. JDub - 1200 Warriors NYC Zap Mixversion10A · 127
- Back & Forth feat. JDub - Chuck Love Lovenetwork Dubversion2B · 125
- Back & Forth feat. JDub - Chuck Love Main Vox Mixversion1A · 125
- Back & Forth feat. JDub - Green Lantern Dubversion3A · 125
- Back & Forth feat. JDub - Mark Farina Old Milwaukkee Dubversion4A · 126
- Back & Forth feat. JDub - OG Mixversion3B · 125
At 127 BPM in A minor (8A), Back & Forth feat. JDub - Jason Hodges Dub Mix is a peak-time tempo house production. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. A 2010 production that still circulates in sets. More underground than 99% of Gene Farris's catalogue. In a set it works best as a peak-time weapon.
- Groove:
- groovier than 95% of Gene Farris's catalogue
- Low end:
- more bass-heavy than 86% of Gene Farris's catalogue
- Tempo:
- faster than 76% of Gene Farris's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 40%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 20%
- Upper-mid
- 570 Hz-2.5 kHz
- 11%
- High
- 2.5-11 kHz
FAQ
What key is Back & Forth feat. JDub - Jason Hodges Dub Mix in?
Back & Forth feat. JDub - Jason Hodges Dub Mix by Gene Farris is in A minor, or 8A on the Camelot wheel.
What BPM is Back & Forth feat. JDub - Jason Hodges Dub Mix?
Back & Forth feat. JDub - Jason Hodges Dub Mix runs at 127 BPM, a peak-time tempo track.
What mixes well with Back & Forth feat. JDub - Jason Hodges Dub Mix?
From 8A it blends harmonically with 9A, 8B, 7A. Moving to 9A lifts the energy a step.
Is Back & Forth feat. JDub - Jason Hodges Dub Mix good for peak time?
With energy 83 out of 100 at 127 BPM, it works best as a peak-time weapon.
Mixes harmonically
8A → 7A · 9A · 8BFrom 8A, 9A (E minor) lifts the energy a step; 8B (C major) brightens to the relative major; 7A (D minor) cools the energy down a step.
How to mix it
In 8A at 127 BPM: 9A (E minor) — move to 9A to push the floor harder; 8B (C major) — switch to 8B for a mood change without losing the groove; 7A (D minor) — drop to 7A to bring the room down gently.
Pitch range at ±6%: 119-135 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 3A rather than 8A; below -5% it reads as 1A. With key lock on, it stays 8A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 83/100).
Similar tempo
Within ±3 BPM of 127 — beatmatch without a big tempo pull.
More house
More from Gene Farris
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 127 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
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