Get With The Funk (feat. Josh Milan)
- BPM
- 127
- Open Key
- 7d
- Energy
- 84/100
- Pop
- 12/100
- Length
- 4:46
- Released
- 2018
- Album
- NYC Disco
- Genre
- House
- Label
- Nervous Records
- Loudness
- -6.3 dB
- ISRC
- USNRS1836704
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Get With The Funk (feat. Josh Milan) - Extended Versionversion2B · 127
- Get With The Funk (feat. Josh Milan) - 7" Versionoriginal2B · 127
Get With The Funk (feat. Josh Milan) runs 127 BPM in F♯ major (2B), a peak-time tempo house record. The groove is strong and floor-ready. A 2018 production that still circulates in sets. Brighter than 99% of Louie Vega's catalogue.
- Reach:
- better known than 83% of Louie Vega's catalogue
- Tempo:
- faster than 80% of Louie Vega's catalogue
- Groove:
- groovier than 80% of Louie Vega's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Get With The Funk (feat. Josh Milan) in?
Get With The Funk (feat. Josh Milan) by Louie Vega is in F♯ major, or 2B on the Camelot wheel.
What BPM is Get With The Funk (feat. Josh Milan)?
Get With The Funk (feat. Josh Milan) runs at 127 BPM, a peak-time tempo track.
What mixes well with Get With The Funk (feat. Josh Milan)?
From 2B it blends harmonically with 3B, 2A, 1B. Moving to 3B lifts the energy a step.
Is Get With The Funk (feat. Josh Milan) good for peak time?
With energy 84 out of 100 at 127 BPM, it works best as a peak-time weapon.
Mixes harmonically
2B → 1B · 3B · 2AFrom 2B, 3B (D♭ major) lifts the energy a step; 2A (E♭ minor) settles into the relative minor; 1B (B major) cools the energy down a step.
How to mix it
In 2B at 127 BPM: 3B (D♭ major) — move to 3B to push the floor harder; 2A (E♭ minor) — switch to 2A for a mood change without losing the groove; 1B (B major) — drop to 1B to bring the room down gently.
Pitch range at ±6%: 119-135 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 9B rather than 2B; below -5% it reads as 7B. With key lock on, it stays 2B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 84/100).
Similar tempo
Within ±3 BPM of 127 — beatmatch without a big tempo pull.
More house
More from Louie Vega
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 127 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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