Get With The Funk (feat. Josh Milan) - Extended Version
30s preview
- BPM
- 127
- Open Key
- 7d
- Energy
- 80/100
- Pop
- 13/100
- Length
- 8:27
- Released
- 2018
- Album
- NYC Disco (Extended Versions)
- Genre
- House
- Loudness
- -7.1 dB
- Dynamics
- 12.9 dB
- ISRC
- USNRS1836800
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Get With The Funk (feat. Josh Milan)original2B · 127
- Get With The Funk (feat. Josh Milan) - 7" Versionoriginal2B · 127
Against the original (2B at 127 BPM), this version holds the same tempo in the same key.
A peak-time tempo house cut, Get With The Funk (feat. Josh Milan) - Extended Version sits in F♯ major (2B) at 127 BPM. The feel is bright and euphoric. Rhythmically it is built for the dancefloor. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 13 dB). A 2018 production that still circulates in sets. Brighter than 99% of Louie Vega's catalogue. In a set it works best as a peak-time weapon.
- Groove:
- groovier than 85% of Louie Vega's catalogue
- Reach:
- better known than 85% of Louie Vega's catalogue
- Low end:
- more treble-tilted than 84% of Louie Vega's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 34%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 22%
- Upper-mid
- 570 Hz-2.5 kHz
- 15%
- High
- 2.5-11 kHz
FAQ
What key is Get With The Funk (feat. Josh Milan) - Extended Version in?
Get With The Funk (feat. Josh Milan) - Extended Version by Louie Vega is in F♯ major, or 2B on the Camelot wheel.
What BPM is Get With The Funk (feat. Josh Milan) - Extended Version?
Get With The Funk (feat. Josh Milan) - Extended Version runs at 127 BPM, a peak-time tempo track.
What mixes well with Get With The Funk (feat. Josh Milan) - Extended Version?
From 2B it blends harmonically with 3B, 2A, 1B. Moving to 3B lifts the energy a step.
Is Get With The Funk (feat. Josh Milan) - Extended Version good for peak time?
With energy 80 out of 100 at 127 BPM, it works best as a peak-time weapon.
Mixes harmonically
2B → 1B · 3B · 2AFrom 2B, 3B (D♭ major) lifts the energy a step; 2A (E♭ minor) settles into the relative minor; 1B (B major) cools the energy down a step.
How to mix it
In 2B at 127 BPM: 3B (D♭ major) — move to 3B to push the floor harder; 2A (E♭ minor) — switch to 2A for a mood change without losing the groove; 1B (B major) — drop to 1B to bring the room down gently.
Pitch range at ±6%: 119-135 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 9B rather than 2B; below -5% it reads as 7B. With key lock on, it stays 2B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 80/100).
Similar tempo
Within ±3 BPM of 127 — beatmatch without a big tempo pull.
More house
More from Louie Vega
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 127 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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