Back & Forth feat. JDub - Chuck Love Lovenetwork Dub by Gene Farris cover art

Back & Forth feat. JDub - Chuck Love Lovenetwork Dub

Gene Farris

30s preview

Key
2B · F♯ major
BPM
125
Open Key
7d
Energy
68/100
Pop
0/100
Length
6:12
Released
2010
Album
Back & Forth, Pt. 1
Genre
House
Loudness
-13.3 dB
Dynamics
15.0 dB
ISRC
NLZ501000034

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

At 125 BPM in F♯ major (2B), Back & Forth feat. JDub - Chuck Love Lovenetwork Dub is a club-tempo house production. The feel is bright and euphoric. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 15 dB). A 2010 production that still circulates in sets. More underground than 99% of Gene Farris's catalogue. In a set it works best as a mid-set roller.

Brightness:
brighter than 91% of Gene Farris's catalogue
Low end:
more bass-heavy than 89% of Gene Farris's catalogue
Groove:
groovier than 88% of Gene Farris's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy68
Mood91Bright
Groove83
Acoustic0
Instrumental93
Live3
Speech6

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
40%
Low
30-130 Hz
25%
Low-mid
130-570 Hz
17%
Upper-mid
570 Hz-2.5 kHz
18%
High
2.5-11 kHz

FAQ

What key is Back & Forth feat. JDub - Chuck Love Lovenetwork Dub in?

Back & Forth feat. JDub - Chuck Love Lovenetwork Dub by Gene Farris is in F♯ major, or 2B on the Camelot wheel.

What BPM is Back & Forth feat. JDub - Chuck Love Lovenetwork Dub?

Back & Forth feat. JDub - Chuck Love Lovenetwork Dub runs at 125 BPM, a club-tempo track.

What mixes well with Back & Forth feat. JDub - Chuck Love Lovenetwork Dub?

From 2B it blends harmonically with 3B, 2A, 1B. Moving to 3B lifts the energy a step.

Is Back & Forth feat. JDub - Chuck Love Lovenetwork Dub good for peak time?

With energy 68 out of 100 at 125 BPM, it works best as a mid-set roller.

Mixes harmonically

2B1B · 3B · 2A

From 2B, 3B (D♭ major) lifts the energy a step; 2A (E♭ minor) settles into the relative minor; 1B (B major) cools the energy down a step.

Every move from 2B

3BSimple Mix Upper
1BSimple Mix Downer
2ATonal Shift·
3ADiagonal Mix Upper
1ADiagonal Mix Downer
5ACompatible Tone·
4BHigh Energy Boost▲▲▲
12BHigh Energy Drain▼▼▼
5BParallel Key Upper▲▲
11BParallel Key Downer▼▼
9BTritone Jump▲▲
6BRelated Keyrisky

How to mix it

In 2B at 125 BPM: 3B (D♭ major) — move to 3B to push the floor harder; 2A (E♭ minor) — switch to 2A for a mood change without losing the groove; 1B (B major) — drop to 1B to bring the room down gently.

Pitch range at ±6%: 117-133 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 9B rather than 2B; below -5% it reads as 7B. With key lock on, it stays 2B across the whole range.

Programming: a mid-set roller.

Similar tempo

Within ±3 BPM of 125 — beatmatch without a big tempo pull.

#TrackKey·BPM

More house

More from Gene Farris

Full profile
#TrackKey·BPM

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 125 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#TrackKey·BPM

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