Dysfunctional Superstar - Evren Ulusoy Dub Remix
30s preview
- BPM
- 125
- Open Key
- 8m
- Energy
- 68/100
- Pop
- 0/100
- Length
- 6:49
- Released
- 2010
- Album
- Dysfunctional Superstar
- Genre
- Progressive House
- Loudness
- -10.3 dB
- Dynamics
- 11.8 dB
- ISRC
- DEY031000540
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Dysfunctional Superstaroriginal9A · 125
Against the original (9A at 125 BPM), this version holds the same tempo and moves the key from 9A to 3A.
A club-tempo progressive house cut, Dysfunctional Superstar - Evren Ulusoy Dub Remix sits in B♭ minor (3A) at 125 BPM. It reads as dark and driving. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 12 dB). A 2010 production that still circulates in sets. More underground than 99% of Khen's catalogue. In a set it works best as a mid-set roller.
- Tempo:
- faster than 85% of Khen's catalogue
- Brightness:
- darker than 85% of Khen's catalogue
- Energy:
- calmer than 77% of Khen's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 40%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 18%
- Upper-mid
- 570 Hz-2.5 kHz
- 16%
- High
- 2.5-11 kHz
FAQ
What key is Dysfunctional Superstar - Evren Ulusoy Dub Remix in?
Dysfunctional Superstar - Evren Ulusoy Dub Remix by Khen is in B♭ minor, or 3A on the Camelot wheel.
What BPM is Dysfunctional Superstar - Evren Ulusoy Dub Remix?
Dysfunctional Superstar - Evren Ulusoy Dub Remix runs at 125 BPM, a club-tempo track.
What mixes well with Dysfunctional Superstar - Evren Ulusoy Dub Remix?
From 3A it blends harmonically with 4A, 3B, 2A. Moving to 4A lifts the energy a step.
Is Dysfunctional Superstar - Evren Ulusoy Dub Remix good for peak time?
With energy 68 out of 100 at 125 BPM, it works best as a mid-set roller.
Mixes harmonically
3A → 2A · 4A · 3BFrom 3A, 4A (F minor) lifts the energy a step; 3B (D♭ major) brightens to the relative major; 2A (E♭ minor) cools the energy down a step.
How to mix it
In 3A at 125 BPM: 4A (F minor) — move to 4A to push the floor harder; 3B (D♭ major) — switch to 3B for a mood change without losing the groove; 2A (E♭ minor) — drop to 2A to bring the room down gently.
Pitch range at ±6%: 117-133 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10A rather than 3A; below -5% it reads as 8A. With key lock on, it stays 3A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 125 — beatmatch without a big tempo pull.
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Beyond strict key and genre matches: tracks that still sit in beatmatch range of 125 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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