Yes - Federico Molinari Remix by Marco Faraone cover art

Yes - Federico Molinari Remix

Marco Faraone

30s preview

Key
12A · D♭ minor
BPM
125
Open Key
5m
Energy
68/100
Pop
0/100
Length
6:39
Released
2011
Album
Raw Way
Genre
Techno
Loudness
-11.4 dB
Dynamics
12.1 dB
ISRC
DEH741118254

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Other versions

  • Yesoriginal10A · 124

Against the original (10A at 124 BPM), this version runs 1 BPM faster and moves the key from 10A to 12A.

At 125 BPM in D♭ minor (12A), Yes - Federico Molinari Remix is a club-tempo techno production. The feel is dark and driving. The groove is strong and floor-ready. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 12 dB). A 2011 production that still circulates in sets. More underground than 99% of Marco Faraone's catalogue. In a set it works best as a mid-set roller.

Groove:
groovier than 84% of Marco Faraone's catalogue
Tempo:
slower than 83% of Marco Faraone's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy68
Mood29Dark
Groove81
Acoustic0
Instrumental96
Live11
Speech7

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
38%
Low
30-130 Hz
32%
Low-mid
130-570 Hz
18%
Upper-mid
570 Hz-2.5 kHz
12%
High
2.5-11 kHz

FAQ

What key is Yes - Federico Molinari Remix in?

Yes - Federico Molinari Remix by Marco Faraone is in D♭ minor, or 12A on the Camelot wheel.

What BPM is Yes - Federico Molinari Remix?

Yes - Federico Molinari Remix runs at 125 BPM, a club-tempo track.

What mixes well with Yes - Federico Molinari Remix?

From 12A it blends harmonically with 1A, 12B, 11A. Moving to 1A lifts the energy a step.

Is Yes - Federico Molinari Remix good for peak time?

With energy 68 out of 100 at 125 BPM, it works best as a mid-set roller.

Mixes harmonically

12A11A · 1A · 12B

From 12A, 1A (A♭ minor) lifts the energy a step; 12B (E major) brightens to the relative major; 11A (F♯ minor) cools the energy down a step.

#TrackKey·BPM

Every move from 12A

1ASimple Mix Upper
11ASimple Mix Downer
12BTonal Shift·
1BDiagonal Mix Upper
11BDiagonal Mix Downer
9BCompatible Tone·
2AHigh Energy Boost▲▲▲
10AHigh Energy Drain▼▼▼
3AParallel Key Upper▲▲
9AParallel Key Downer▼▼
7ATritone Jump▲▲
4ARelated Keyrisky

How to mix it

In 12A at 125 BPM: 1A (A♭ minor) — move to 1A to push the floor harder; 12B (E major) — switch to 12B for a mood change without losing the groove; 11A (F♯ minor) — drop to 11A to bring the room down gently.

Pitch range at ±6%: 117-133 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 7A rather than 12A; below -5% it reads as 5A. With key lock on, it stays 12A across the whole range.

Programming: a mid-set roller.

Similar tempo

Within ±3 BPM of 125 — beatmatch without a big tempo pull.

#TrackKey·BPM

More techno

More from Marco Faraone

Full profile
#TrackKey·BPM

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 125 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#TrackKey·BPM

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