Tomato Maiden by Mihalis Safras cover art

Tomato Maiden

Mihalis Safras

Key
11A · F♯ minor
BPM
125
Open Key
4m
Energy
69/100
Pop
0/100
Length
5:38
Released
2009
Album
Volume 10
Genre
Tech House
Loudness
-11.8 dB
ISRC
NLCK40900793

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Tomato Maiden is a club-tempo tech house track in F♯ minor (11A) at 125 BPM. The feel is punchy, neutral in mood. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. The master keeps real dynamic headroom. A 2009 production that still circulates in sets. More underground than 99% of Mihalis Safras's catalogue. For programming, treat it as a mid-set roller.

Energy:
calmer than 78% of Mihalis Safras's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy69
Mood45Balanced
Groove81
Acoustic3
Instrumental91
Live8
Speech5

Frequency spectrum

amplitude · bass → treble

FAQ

What key is Tomato Maiden in?

Tomato Maiden by Mihalis Safras is in F♯ minor, or 11A on the Camelot wheel.

What BPM is Tomato Maiden?

Tomato Maiden runs at 125 BPM, a club-tempo track.

What mixes well with Tomato Maiden?

From 11A it blends harmonically with 12A, 11B, 10A. Moving to 12A lifts the energy a step.

Is Tomato Maiden good for peak time?

With energy 69 out of 100 at 125 BPM, it works best as a mid-set roller.

Mixes harmonically

11A10A · 12A · 11B

From 11A, 12A (D♭ minor) lifts the energy a step; 11B (A major) brightens to the relative major; 10A (B minor) cools the energy down a step.

#TrackKey·BPM

Every move from 11A

12ASimple Mix Upper
10ASimple Mix Downer
11BTonal Shift·
12BDiagonal Mix Upper
10BDiagonal Mix Downer
8BCompatible Tone·
1AHigh Energy Boost▲▲▲
9AHigh Energy Drain▼▼▼
2AParallel Key Upper▲▲
8AParallel Key Downer▼▼
6ATritone Jump▲▲
3ARelated Keyrisky

How to mix it

In 11A at 125 BPM: 12A (D♭ minor) — move to 12A to push the floor harder; 11B (A major) — switch to 11B for a mood change without losing the groove; 10A (B minor) — drop to 10A to bring the room down gently.

Pitch range at ±6%: 117-133 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 6A rather than 11A; below -5% it reads as 4A. With key lock on, it stays 11A across the whole range.

Programming: a mid-set roller.

Similar tempo

Within ±3 BPM of 125 — beatmatch without a big tempo pull.

#TrackKey·BPM

More tech house

More from Mihalis Safras

Full profile
#TrackKey·BPM

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 125 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#TrackKey·BPM

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