U.F.O
- BPM
- 125
- Open Key
- 8d
- Energy
- 68/100
- Pop
- 0/100
- Length
- 6:54
- Released
- 2014
- Album
- Out of Time
- Genre
- Techno
- Loudness
- -8.8 dB
- ISRC
- DEBL60364438
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
A club-tempo techno cut, U.F.O sits in D♭ major (3B) at 125 BPM. Tonally it lands punchy, neutral in mood. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. A 2014 production that still circulates in sets. More underground than 99% of Monococ's catalogue. For programming, treat it as a mid-set roller.
- Tempo:
- slower than 91% of Monococ's catalogue
- Brightness:
- brighter than 87% of Monococ's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is U.F.O in?
U.F.O by Monococ is in D♭ major, or 3B on the Camelot wheel.
What BPM is U.F.O?
U.F.O runs at 125 BPM, a club-tempo track.
What mixes well with U.F.O?
From 3B it blends harmonically with 4B, 3A, 2B. Moving to 4B lifts the energy a step.
Is U.F.O good for peak time?
With energy 68 out of 100 at 125 BPM, it works best as a mid-set roller.
Mixes harmonically
3B → 2B · 4B · 3AFrom 3B, 4B (A♭ major) lifts the energy a step; 3A (B♭ minor) settles into the relative minor; 2B (F♯ major) cools the energy down a step.
How to mix it
In 3B at 125 BPM: 4B (A♭ major) — move to 4B to push the floor harder; 3A (B♭ minor) — switch to 3A for a mood change without losing the groove; 2B (F♯ major) — drop to 2B to bring the room down gently.
Pitch range at ±6%: 117-133 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10B rather than 3B; below -5% it reads as 8B. With key lock on, it stays 3B across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 125 — beatmatch without a big tempo pull.
More techno
More from Monococ
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 125 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
