Back & Forth feat. JDub - Mark Farina Old Milwaukkee Dub
30s preview
- Key
- 4A · F minor
- BPM
- 126
- Open Key
- 9m
- Energy
- 45/100
- Pop
- 0/100
- Length
- 5:23
- Released
- 2010
- Album
- Back & Forth, Pt. 1
- Genre
- House
- Loudness
- -13.7 dB
- Dynamics
- 15.3 dB
- ISRC
- NLZ501000032
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
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- Back & Forth feat. JDub - OG Mixversion3B · 125
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Back & Forth feat. JDub - Mark Farina Old Milwaukkee Dub runs 126 BPM in F minor (4A), a club-tempo house record. Tonally it lands bright and easy. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 15 dB). A 2010 production that still circulates in sets. More underground than 99% of Gene Farris's catalogue. In a set it works best as a warm-up or breakdown cut.
- Energy:
- calmer than 98% of Gene Farris's catalogue
- Low end:
- more bass-heavy than 93% of Gene Farris's catalogue
- Groove:
- groovier than 79% of Gene Farris's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 42%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 18%
- Upper-mid
- 570 Hz-2.5 kHz
- 12%
- High
- 2.5-11 kHz
FAQ
What key is Back & Forth feat. JDub - Mark Farina Old Milwaukkee Dub in?
Back & Forth feat. JDub - Mark Farina Old Milwaukkee Dub by Gene Farris is in F minor, or 4A on the Camelot wheel.
What BPM is Back & Forth feat. JDub - Mark Farina Old Milwaukkee Dub?
Back & Forth feat. JDub - Mark Farina Old Milwaukkee Dub runs at 126 BPM, a club-tempo track.
What mixes well with Back & Forth feat. JDub - Mark Farina Old Milwaukkee Dub?
From 4A it blends harmonically with 5A, 4B, 3A. Moving to 5A lifts the energy a step.
Is Back & Forth feat. JDub - Mark Farina Old Milwaukkee Dub good for peak time?
With energy 45 out of 100 at 126 BPM, it works best as a warm-up or breakdown cut.
Mixes harmonically
4A → 3A · 5A · 4BFrom 4A, 5A (C minor) lifts the energy a step; 4B (A♭ major) brightens to the relative major; 3A (B♭ minor) cools the energy down a step.
How to mix it
In 4A at 126 BPM: 5A (C minor) — move to 5A to push the floor harder; 4B (A♭ major) — switch to 4B for a mood change without losing the groove; 3A (B♭ minor) — drop to 3A to bring the room down gently.
Pitch range at ±6%: 118-134 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 11A rather than 4A; below -5% it reads as 9A. With key lock on, it stays 4A across the whole range.
Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.
Similar tempo
Within ±3 BPM of 126 — beatmatch without a big tempo pull.
More house
More from Gene Farris
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 126 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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