Again - Radio Edit
30s preview
- BPM
- 126
- Open Key
- 3d
- Energy
- 44/100
- Pop
- 0/100
- Length
- 3:29
- Released
- 2006
- Album
- Again
- Genre
- House
- Loudness
- -12.6 dB
- Dynamics
- 20.2 dB
- ISRC
- NLQ200700124
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Again - Editversion10B · 126
- Again - DJ Dep Remixremix6A · 127
- Again - DJ Dep Instrumental Remixremix6A · 127
- Againoriginal10B · 126
- Again - Accapellaoriginal5A · 175
- Again - DaBo Remixremix11B · 127
Against the original (10B at 126 BPM), this version holds the same tempo in the same key.
A club-tempo house cut, Again - Radio Edit sits in D major (10B) at 126 BPM. The feel is balanced in mood. The groove is strong and floor-ready. It is vocal-led. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 20 dB). A 2006 production that still circulates in sets. More underground than 99% of Roger Sanchez's catalogue. For programming, treat it as a warm-up or breakdown cut.
- Groove:
- groovier than 97% of Roger Sanchez's catalogue
- Energy:
- calmer than 96% of Roger Sanchez's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 35%
- Low
- 30-130 Hz
- 30%
- Low-mid
- 130-570 Hz
- 21%
- Upper-mid
- 570 Hz-2.5 kHz
- 14%
- High
- 2.5-11 kHz
FAQ
What key is Again - Radio Edit in?
Again - Radio Edit by Roger Sanchez is in D major, or 10B on the Camelot wheel.
What BPM is Again - Radio Edit?
Again - Radio Edit runs at 126 BPM, a club-tempo track.
What mixes well with Again - Radio Edit?
From 10B it blends harmonically with 11B, 10A, 9B. Moving to 11B lifts the energy a step.
Is Again - Radio Edit good for peak time?
With energy 44 out of 100 at 126 BPM, it works best as a warm-up or breakdown cut.
Mixes harmonically
10B → 9B · 11B · 10AFrom 10B, 11B (A major) lifts the energy a step; 10A (B minor) settles into the relative minor; 9B (G major) cools the energy down a step.
How to mix it
In 10B at 126 BPM: 11B (A major) — move to 11B to push the floor harder; 10A (B minor) — switch to 10A for a mood change without losing the groove; 9B (G major) — drop to 9B to bring the room down gently.
Pitch range at ±6%: 118-134 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5B rather than 10B; below -5% it reads as 3B. With key lock on, it stays 10B across the whole range.
Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.
Similar tempo
Within ±3 BPM of 126 — beatmatch without a big tempo pull.
More house
More from Roger Sanchez
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 126 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
Vibes runs this same analysis on the music you own: keys, energy and vibe for every track, organized into sets you can actually play.