Sometimes It Hurts - Instrumental Mix
30s preview
- BPM
- 126
- Open Key
- 8m
- Energy
- 48/100
- Pop
- 1/100
- Length
- 6:17
- Released
- 2024
- Album
- Sometimes It Hurts
- Genre
- Deep House
- Loudness
- -11.7 dB
- Dynamics
- 13.1 dB
- ISRC
- QM6P42461889
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Sometimes It Hurts - Main Mixoriginal3B · 126
Against the original (3B at 126 BPM), this version holds the same tempo and moves the key from 3B to 3A.
A club-tempo deep house cut, Sometimes It Hurts - Instrumental Mix sits in B♭ minor (3A) at 126 BPM. The groove is strong and floor-ready. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 13 dB). Faster than 91% of Boddhi Satva's catalogue. In a set it works best as a mid-set roller.
- Energy:
- calmer than 85% of Boddhi Satva's catalogue
- Low end:
- more bass-heavy than 82% of Boddhi Satva's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 42%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 21%
- Upper-mid
- 570 Hz-2.5 kHz
- 10%
- High
- 2.5-11 kHz
FAQ
What key is Sometimes It Hurts - Instrumental Mix in?
Sometimes It Hurts - Instrumental Mix by Boddhi Satva is in B♭ minor, or 3A on the Camelot wheel.
What BPM is Sometimes It Hurts - Instrumental Mix?
Sometimes It Hurts - Instrumental Mix runs at 126 BPM, a club-tempo track.
What mixes well with Sometimes It Hurts - Instrumental Mix?
From 3A it blends harmonically with 4A, 3B, 2A. Moving to 4A lifts the energy a step.
Is Sometimes It Hurts - Instrumental Mix good for peak time?
With energy 48 out of 100 at 126 BPM, it works best as a mid-set roller.
Mixes harmonically
3A → 2A · 4A · 3BFrom 3A, 4A (F minor) lifts the energy a step; 3B (D♭ major) brightens to the relative major; 2A (E♭ minor) cools the energy down a step.
How to mix it
In 3A at 126 BPM: 4A (F minor) — move to 4A to push the floor harder; 3B (D♭ major) — switch to 3B for a mood change without losing the groove; 2A (E♭ minor) — drop to 2A to bring the room down gently.
Pitch range at ±6%: 118-134 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10A rather than 3A; below -5% it reads as 8A. With key lock on, it stays 3A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 126 — beatmatch without a big tempo pull.
More deep house
More from Boddhi Satva
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 126 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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