Da Jungle - Yes We Did Mix
- BPM
- 126
- Open Key
- 8m
- Energy
- 50/100
- Pop
- 0/100
- Length
- 6:39
- Released
- 2009
- Album
- Da Jungle
- Genre
- House
- Loudness
- -8.0 dB
- ISRC
- QMSNZ1258365
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Da Jungle - Audiodamage Mixoriginal4A · 128
- Da Jungle - Dirty Jungle Mixoriginal4B · 126
- Da Jungle - DJ Pierre's Afro Acid Mixoriginal3A · 126
- Da Jungle - Gene Farris After Monday Mixoriginal10A · 126
- Da Jungle - Pierre Deutchmann Remixremix9B · 126
- Da Jungle - Rio Piedra Tribal Dubversion3B · 125
Da Jungle - Yes We Did Mix is a club-tempo house track in B♭ minor (3A) at 126 BPM. The feel is dark and steady. The groove is strong and floor-ready. The mix is almost entirely instrumental. A 2009 production that still circulates in sets. Darker than 99% of Louie Vega's catalogue.
- Reach:
- more underground than 99% of Louie Vega's catalogue
- Energy:
- calmer than 95% of Louie Vega's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Da Jungle - Yes We Did Mix in?
Da Jungle - Yes We Did Mix by Louie Vega is in B♭ minor, or 3A on the Camelot wheel.
What BPM is Da Jungle - Yes We Did Mix?
Da Jungle - Yes We Did Mix runs at 126 BPM, a club-tempo track.
What mixes well with Da Jungle - Yes We Did Mix?
From 3A it blends harmonically with 4A, 3B, 2A. Moving to 4A lifts the energy a step.
Is Da Jungle - Yes We Did Mix good for peak time?
With energy 50 out of 100 at 126 BPM, it works best as a mid-set roller.
Mixes harmonically
3A → 2A · 4A · 3BFrom 3A, 4A (F minor) lifts the energy a step; 3B (D♭ major) brightens to the relative major; 2A (E♭ minor) cools the energy down a step.
How to mix it
In 3A at 126 BPM: 4A (F minor) — move to 4A to push the floor harder; 3B (D♭ major) — switch to 3B for a mood change without losing the groove; 2A (E♭ minor) — drop to 2A to bring the room down gently.
Pitch range at ±6%: 118-134 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10A rather than 3A; below -5% it reads as 8A. With key lock on, it stays 3A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 126 — beatmatch without a big tempo pull.
More house
More from Louie Vega
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 126 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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