Da Jungle - Rio Piedra Tribal Dub
30s preview
- BPM
- 125
- Open Key
- 8d
- Energy
- 85/100
- Pop
- 0/100
- Length
- 7:08
- Released
- 2009
- Album
- Da Jungle
- Genre
- House
- Loudness
- -13.5 dB
- Dynamics
- 12.4 dB
- ISRC
- QMSNZ1258370
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Da Jungle - Audiodamage Mixoriginal4A · 128
- Da Jungle - Dirty Jungle Mixoriginal4B · 126
- Da Jungle - DJ Pierre's Afro Acid Mixoriginal3A · 126
- Da Jungle - Gene Farris After Monday Mixoriginal10A · 126
- Da Jungle - Pierre Deutchmann Remixremix9B · 126
- Da Jungle - Sergia Mega Remixremix3B · 127
Against the original (4A at 128 BPM), this version runs 3 BPM slower and moves the key from 4A to 3B.
At 125 BPM in D♭ major (3B), Da Jungle - Rio Piedra Tribal Dub is a club-tempo house production. Tonally it lands dark and driving. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 12 dB). A 2009 production that still circulates in sets. More underground than 99% of Louie Vega's catalogue. For programming, treat it as a peak-time weapon.
- Brightness:
- darker than 97% of Louie Vega's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 39%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 19%
- Upper-mid
- 570 Hz-2.5 kHz
- 14%
- High
- 2.5-11 kHz
FAQ
What key is Da Jungle - Rio Piedra Tribal Dub in?
Da Jungle - Rio Piedra Tribal Dub by Louie Vega is in D♭ major, or 3B on the Camelot wheel.
What BPM is Da Jungle - Rio Piedra Tribal Dub?
Da Jungle - Rio Piedra Tribal Dub runs at 125 BPM, a club-tempo track.
What mixes well with Da Jungle - Rio Piedra Tribal Dub?
From 3B it blends harmonically with 4B, 3A, 2B. Moving to 4B lifts the energy a step.
Is Da Jungle - Rio Piedra Tribal Dub good for peak time?
With energy 85 out of 100 at 125 BPM, it works best as a peak-time weapon.
Mixes harmonically
3B → 2B · 4B · 3AFrom 3B, 4B (A♭ major) lifts the energy a step; 3A (B♭ minor) settles into the relative minor; 2B (F♯ major) cools the energy down a step.
How to mix it
In 3B at 125 BPM: 4B (A♭ major) — move to 4B to push the floor harder; 3A (B♭ minor) — switch to 3A for a mood change without losing the groove; 2B (F♯ major) — drop to 2B to bring the room down gently.
Pitch range at ±6%: 117-133 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10B rather than 3B; below -5% it reads as 8B. With key lock on, it stays 3B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 85/100).
Similar tempo
Within ±3 BPM of 125 — beatmatch without a big tempo pull.
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Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 125 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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