All That I Got - Club Mix by Todd Terry cover art

All That I Got - Club Mix

Todd Terry

Key
3B · D♭ major
BPM
125
Open Key
8d
Energy
85/100
Pop
0/100
Length
9:03
Released
2020
Album
All That I Got
Genre
House
Loudness
-6.8 dB
ISRC
USMKQ2000063

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Other versions

Against the original (3B at 125 BPM), this version holds the same tempo in the same key.

All That I Got - Club Mix is a club-tempo house track in D♭ major (3B) at 125 BPM. The feel is bright and euphoric. The groove is strong and floor-ready. It is vocal-led. More underground than 99% of Todd Terry's catalogue. For programming, treat it as a peak-time weapon.

Brightness:
brighter than 94% of Todd Terry's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy85
Mood89Bright
Groove78
Acoustic0
Instrumental16
Live33
Speech4

Frequency spectrum

amplitude · bass → treble

FAQ

What key is All That I Got - Club Mix in?

All That I Got - Club Mix by Todd Terry is in D♭ major, or 3B on the Camelot wheel.

What BPM is All That I Got - Club Mix?

All That I Got - Club Mix runs at 125 BPM, a club-tempo track.

What mixes well with All That I Got - Club Mix?

From 3B it blends harmonically with 4B, 3A, 2B. Moving to 4B lifts the energy a step.

Is All That I Got - Club Mix good for peak time?

With energy 85 out of 100 at 125 BPM, it works best as a peak-time weapon.

Mixes harmonically

3B2B · 4B · 3A

From 3B, 4B (A♭ major) lifts the energy a step; 3A (B♭ minor) settles into the relative minor; 2B (F♯ major) cools the energy down a step.

Every move from 3B

4BSimple Mix Upper
2BSimple Mix Downer
3ATonal Shift·
4ADiagonal Mix Upper
2ADiagonal Mix Downer
6ACompatible Tone·
5BHigh Energy Boost▲▲▲
1BHigh Energy Drain▼▼▼
6BParallel Key Upper▲▲
12BParallel Key Downer▼▼
10BTritone Jump▲▲
7BRelated Keyrisky

How to mix it

In 3B at 125 BPM: 4B (A♭ major) — move to 4B to push the floor harder; 3A (B♭ minor) — switch to 3A for a mood change without losing the groove; 2B (F♯ major) — drop to 2B to bring the room down gently.

Pitch range at ±6%: 117-133 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10B rather than 3B; below -5% it reads as 8B. With key lock on, it stays 3B across the whole range.

Programming: a peak-time weapon — save it for the main stretch (energy 85/100).

Similar tempo

Within ±3 BPM of 125 — beatmatch without a big tempo pull.

More house

More from Todd Terry

Full profile
#TrackKey·BPM

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 125 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#TrackKey·BPM

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