Rain - New Old School Dub
- BPM
- 125
- Open Key
- 7m
- Energy
- 85/100
- Pop
- 3/100
- Length
- 8:00
- Released
- 2007
- Album
- Kerri Chandler's Nervous Tracks
- Genre
- Deep House
- Loudness
- -10.9 dB
- ISRC
- USNRS0621116
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Rain - Mood EP Versionoriginal2B · 125
- Rain - Original Mixoriginal2B · 125
- Rain - Dense & Pika Remixremix3B · 126
- Rain - Atjazz Remixremix10B · 124
- Rain - (Vocal Remix) [Harry Romero Edit]remix3A · 125
- Rain - Original Mixoriginal2B · 125
Against the original (2B at 125 BPM), this version holds the same tempo and moves the key from 2B to 2A.
A club-tempo deep house cut, Rain - New Old School Dub sits in E♭ minor (2A) at 125 BPM. The groove is strong and floor-ready. The mix is almost entirely instrumental. The master keeps real dynamic headroom. A 2007 production that still circulates in sets. Less groove-driven than 79% of Kerri Chandler's catalogue. In a set it works best as a peak-time weapon.
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Rain - New Old School Dub in?
Rain - New Old School Dub by Kerri Chandler is in E♭ minor, or 2A on the Camelot wheel.
What BPM is Rain - New Old School Dub?
Rain - New Old School Dub runs at 125 BPM, a club-tempo track.
What mixes well with Rain - New Old School Dub?
From 2A it blends harmonically with 3A, 2B, 1A. Moving to 3A lifts the energy a step.
Is Rain - New Old School Dub good for peak time?
With energy 85 out of 100 at 125 BPM, it works best as a peak-time weapon.
Mixes harmonically
2A → 1A · 3A · 2BFrom 2A, 3A (B♭ minor) lifts the energy a step; 2B (F♯ major) brightens to the relative major; 1A (A♭ minor) cools the energy down a step.
How to mix it
In 2A at 125 BPM: 3A (B♭ minor) — move to 3A to push the floor harder; 2B (F♯ major) — switch to 2B for a mood change without losing the groove; 1A (A♭ minor) — drop to 1A to bring the room down gently.
Pitch range at ±6%: 117-133 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 9A rather than 2A; below -5% it reads as 7A. With key lock on, it stays 2A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 85/100).
Similar tempo
Within ±3 BPM of 125 — beatmatch without a big tempo pull.
More deep house
![Hymn [extended mix] by Marsh cover art](https://i.scdn.co/image/ab67616d00001e02411be12a88984e4606a61c97){kind=small}
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Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 125 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
Vibes runs this same analysis on the music you own: keys, energy and vibe for every track, organized into sets you can actually play.