Rain - Atjazz Remix
- BPM
- 124
- Open Key
- 3d
- Energy
- 84/100
- Pop
- 15/100
- Length
- 8:36
- Released
- 2012
- Genre
- Deep House
- Loudness
- -8.5 dB
- ISRC
- USNRS1229956
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Rain - Mood EP Versionoriginal2B · 125
- Rain - Original Mixoriginal2B · 125
- Rain - Dense & Pika Remixremix3B · 126
- Rain - (Vocal Remix) [Harry Romero Edit]remix3A · 125
- Rain - Original Mixoriginal2B · 125
- Rain - Old School Vocal Remixremix3A · 125
Against the original (2B at 125 BPM), this version runs 1 BPM slower and moves the key from 2B to 10B.
At 124 BPM in D major (10B), Rain - Atjazz Remix is a club-tempo deep house production. The groove is strong and floor-ready. It is vocal-led. A 2012 production that still circulates in sets. Darker than 97% of Kerri Chandler's catalogue.
- Reach:
- better known than 89% of Kerri Chandler's catalogue
- Groove:
- less groove-driven than 82% of Kerri Chandler's catalogue
- Tempo:
- slower than 75% of Kerri Chandler's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Rain - Atjazz Remix in?
Rain - Atjazz Remix by Kerri Chandler is in D major, or 10B on the Camelot wheel.
What BPM is Rain - Atjazz Remix?
Rain - Atjazz Remix runs at 124 BPM, a club-tempo track.
What mixes well with Rain - Atjazz Remix?
From 10B it blends harmonically with 11B, 10A, 9B. Moving to 11B lifts the energy a step.
Is Rain - Atjazz Remix good for peak time?
With energy 84 out of 100 at 124 BPM, it works best as a peak-time weapon.
Mixes harmonically
10B → 9B · 11B · 10AFrom 10B, 11B (A major) lifts the energy a step; 10A (B minor) settles into the relative minor; 9B (G major) cools the energy down a step.
How to mix it
In 10B at 124 BPM: 11B (A major) — move to 11B to push the floor harder; 10A (B minor) — switch to 10A for a mood change without losing the groove; 9B (G major) — drop to 9B to bring the room down gently.
Pitch range at ±6%: 117-131 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5B rather than 10B; below -5% it reads as 3B. With key lock on, it stays 10B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 84/100).
Similar tempo
Within ±3 BPM of 124 — beatmatch without a big tempo pull.
More deep house
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Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 124 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
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