Rain - Old School Vocal Remix
30s preview
- BPM
- 125
- Open Key
- 8m
- Energy
- 81/100
- Pop
- 7/100
- Length
- 8:10
- Released
- 2010
- Album
- Rain
- Genre
- Deep House
- Loudness
- -11.4 dB
- Dynamics
- 18.9 dB
- ISRC
- USNRS0925912
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Rain - Mood EP Versionoriginal2B · 125
- Rain - Original Mixoriginal2B · 125
- Rain - Dense & Pika Remixremix3B · 126
- Rain - Atjazz Remixremix10B · 124
- Rain - (Vocal Remix) [Harry Romero Edit]remix3A · 125
- Rain - Original Mixoriginal2B · 125
Against the original (2B at 125 BPM), this version holds the same tempo and moves the key from 2B to 3A.
Rain - Old School Vocal Remix runs 125 BPM in B♭ minor (3A), a club-tempo deep house record. The groove is strong and floor-ready. It is vocal-led. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 19 dB). A 2010 production that still circulates in sets. More treble-tilted than 86% of Kerri Chandler's catalogue. In a set it works best as a peak-time weapon.
- Reach:
- better known than 77% of Kerri Chandler's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 31%
- Low
- 30-130 Hz
- 32%
- Low-mid
- 130-570 Hz
- 21%
- Upper-mid
- 570 Hz-2.5 kHz
- 16%
- High
- 2.5-11 kHz
FAQ
What key is Rain - Old School Vocal Remix in?
Rain - Old School Vocal Remix by Kerri Chandler is in B♭ minor, or 3A on the Camelot wheel.
What BPM is Rain - Old School Vocal Remix?
Rain - Old School Vocal Remix runs at 125 BPM, a club-tempo track.
What mixes well with Rain - Old School Vocal Remix?
From 3A it blends harmonically with 4A, 3B, 2A. Moving to 4A lifts the energy a step.
Is Rain - Old School Vocal Remix good for peak time?
With energy 81 out of 100 at 125 BPM, it works best as a peak-time weapon.
Mixes harmonically
3A → 2A · 4A · 3BFrom 3A, 4A (F minor) lifts the energy a step; 3B (D♭ major) brightens to the relative major; 2A (E♭ minor) cools the energy down a step.
How to mix it
In 3A at 125 BPM: 4A (F minor) — move to 4A to push the floor harder; 3B (D♭ major) — switch to 3B for a mood change without losing the groove; 2A (E♭ minor) — drop to 2A to bring the room down gently.
Pitch range at ±6%: 117-133 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10A rather than 3A; below -5% it reads as 8A. With key lock on, it stays 3A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 81/100).
Similar tempo
Within ±3 BPM of 125 — beatmatch without a big tempo pull.
More deep house
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Full profile
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Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 125 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
Vibes runs this same analysis on the music you own: keys, energy and vibe for every track, organized into sets you can actually play.