Don't Like Me
- BPM
- 125
- Open Key
- 4m
- Energy
- 81/100
- Pop
- 0/100
- Length
- 6:49
- Released
- 2013
- Album
- The Humming Syrup EP
- Genre
- Tech House
- Loudness
- -9.2 dB
- ISRC
- DEQ201301067
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Don't Like Me: club-tempo tech house, F♯ minor (11A), 125 BPM. Tonally it lands punchy, neutral in mood. Rhythmically it is built for the dancefloor. A 2013 production that still circulates in sets. More underground than 99% of Tim Green's catalogue. For programming, treat it as a peak-time weapon.
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Don't Like Me in?
Don't Like Me by Tim Green is in F♯ minor, or 11A on the Camelot wheel.
What BPM is Don't Like Me?
Don't Like Me runs at 125 BPM, a club-tempo track.
What mixes well with Don't Like Me?
From 11A it blends harmonically with 12A, 11B, 10A. Moving to 12A lifts the energy a step.
Is Don't Like Me good for peak time?
With energy 81 out of 100 at 125 BPM, it works best as a peak-time weapon.
Mixes harmonically
11A → 10A · 12A · 11BFrom 11A, 12A (D♭ minor) lifts the energy a step; 11B (A major) brightens to the relative major; 10A (B minor) cools the energy down a step.
How to mix it
In 11A at 125 BPM: 12A (D♭ minor) — move to 12A to push the floor harder; 11B (A major) — switch to 11B for a mood change without losing the groove; 10A (B minor) — drop to 10A to bring the room down gently.
Pitch range at ±6%: 117-133 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 6A rather than 11A; below -5% it reads as 4A. With key lock on, it stays 11A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 81/100).
Similar tempo
Within ±3 BPM of 125 — beatmatch without a big tempo pull.
More tech house
More from Tim Green
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 125 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
