Schöneberg - Tim Engelhardt Remix
30s preview
- BPM
- 125
- Open Key
- 5m
- Energy
- 80/100
- Pop
- 0/100
- Length
- 7:06
- Released
- 2018
- Album
- Schöneberg (Tim Engelhardt Remix)
- Genre
- Tech House
- Loudness
- -7.7 dB
- Dynamics
- 10.3 dB
- ISRC
- DEL021840005
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Schöneberg - Tim Engelhardt Remix is a club-tempo tech house track in D♭ minor (12A) at 125 BPM. It reads as dark and driving. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. A 2018 production that still circulates in sets. More underground than 99% of Tim Engelhardt's catalogue. For programming, treat it as a peak-time weapon.
- Low end:
- more treble-tilted than 84% of Tim Engelhardt's catalogue
- Energy:
- hotter than 78% of Tim Engelhardt's catalogue
- Tempo:
- faster than 78% of Tim Engelhardt's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 36%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 21%
- Upper-mid
- 570 Hz-2.5 kHz
- 14%
- High
- 2.5-11 kHz
FAQ
What key is Schöneberg - Tim Engelhardt Remix in?
Schöneberg - Tim Engelhardt Remix by Tim Engelhardt is in D♭ minor, or 12A on the Camelot wheel.
What BPM is Schöneberg - Tim Engelhardt Remix?
Schöneberg - Tim Engelhardt Remix runs at 125 BPM, a club-tempo track.
What mixes well with Schöneberg - Tim Engelhardt Remix?
From 12A it blends harmonically with 1A, 12B, 11A. Moving to 1A lifts the energy a step.
Is Schöneberg - Tim Engelhardt Remix good for peak time?
With energy 80 out of 100 at 125 BPM, it works best as a peak-time weapon.
Mixes harmonically
12A → 11A · 1A · 12BFrom 12A, 1A (A♭ minor) lifts the energy a step; 12B (E major) brightens to the relative major; 11A (F♯ minor) cools the energy down a step.
How to mix it
In 12A at 125 BPM: 1A (A♭ minor) — move to 1A to push the floor harder; 12B (E major) — switch to 12B for a mood change without losing the groove; 11A (F♯ minor) — drop to 11A to bring the room down gently.
Pitch range at ±6%: 117-133 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 7A rather than 12A; below -5% it reads as 5A. With key lock on, it stays 12A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 80/100).
Similar tempo
Within ±3 BPM of 125 — beatmatch without a big tempo pull.
More tech house
More from Tim Engelhardt
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 125 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
