Don't come close
- BPM
- 125
- Open Key
- 3m
- Energy
- 80/100
- Pop
- 0/100
- Length
- 6:29
- Released
- 2009
- Album
- Changes Of Perception Part 3
- Genre
- Techno
- Loudness
- -12.0 dB
- ISRC
- DEBG50800013
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
A club-tempo techno cut, Don't come close sits in B minor (10A) at 125 BPM. Tonally it lands dark and driving. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. The master keeps real dynamic headroom. A 2009 production that still circulates in sets. More underground than 99% of Monika Kruse's catalogue. For programming, treat it as a peak-time weapon.
- Tempo:
- slower than 84% of Monika Kruse's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Don't come close in?
Don't come close by Monika Kruse is in B minor, or 10A on the Camelot wheel.
What BPM is Don't come close?
Don't come close runs at 125 BPM, a club-tempo track.
What mixes well with Don't come close?
From 10A it blends harmonically with 11A, 10B, 9A. Moving to 11A lifts the energy a step.
Is Don't come close good for peak time?
With energy 80 out of 100 at 125 BPM, it works best as a peak-time weapon.
Mixes harmonically
10A → 9A · 11A · 10BFrom 10A, 11A (F♯ minor) lifts the energy a step; 10B (D major) brightens to the relative major; 9A (E minor) cools the energy down a step.
How to mix it
In 10A at 125 BPM: 11A (F♯ minor) — move to 11A to push the floor harder; 10B (D major) — switch to 10B for a mood change without losing the groove; 9A (E minor) — drop to 9A to bring the room down gently.
Pitch range at ±6%: 117-133 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5A rather than 10A; below -5% it reads as 3A. With key lock on, it stays 10A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 80/100).
Similar tempo
Within ±3 BPM of 125 — beatmatch without a big tempo pull.
More techno
More from Monika Kruse
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 125 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
