Stereotypes - Tian Karl Remix
30s preview
- BPM
- 125
- Open Key
- 7m
- Energy
- 81/100
- Pop
- 0/100
- Length
- 6:36
- Released
- 2017
- Album
- Stereotypes
- Genre
- House
- Loudness
- -9.0 dB
- Dynamics
- 11.9 dB
- ISRC
- GBKQU1715788
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Stereotypesoriginal3B · 125
- Stereotypes - Chicago Loop Remixremix2B · 125
- Stereotypes - ItaloBros Remixremix1B · 125
Against the original (3B at 125 BPM), this version holds the same tempo and moves the key from 3B to 2A.
Stereotypes - Tian Karl Remix is a club-tempo house track in E♭ minor (2A) at 125 BPM. It reads as bright and euphoric. Rhythmically it is built for the dancefloor. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 12 dB). A 2017 production that still circulates in sets. More underground than 99% of Kolter's catalogue. For programming, treat it as a peak-time weapon.
- Brightness:
- brighter than 86% of Kolter's catalogue
- Tempo:
- slower than 79% of Kolter's catalogue
- Low end:
- more bass-heavy than 78% of Kolter's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 38%
- Low
- 30-130 Hz
- 26%
- Low-mid
- 130-570 Hz
- 20%
- Upper-mid
- 570 Hz-2.5 kHz
- 16%
- High
- 2.5-11 kHz
FAQ
What key is Stereotypes - Tian Karl Remix in?
Stereotypes - Tian Karl Remix by Kolter is in E♭ minor, or 2A on the Camelot wheel.
What BPM is Stereotypes - Tian Karl Remix?
Stereotypes - Tian Karl Remix runs at 125 BPM, a club-tempo track.
What mixes well with Stereotypes - Tian Karl Remix?
From 2A it blends harmonically with 3A, 2B, 1A. Moving to 3A lifts the energy a step.
Is Stereotypes - Tian Karl Remix good for peak time?
With energy 81 out of 100 at 125 BPM, it works best as a peak-time weapon.
Mixes harmonically
2A → 1A · 3A · 2BFrom 2A, 3A (B♭ minor) lifts the energy a step; 2B (F♯ major) brightens to the relative major; 1A (A♭ minor) cools the energy down a step.
How to mix it
In 2A at 125 BPM: 3A (B♭ minor) — move to 3A to push the floor harder; 2B (F♯ major) — switch to 2B for a mood change without losing the groove; 1A (A♭ minor) — drop to 1A to bring the room down gently.
Pitch range at ±6%: 117-133 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 9A rather than 2A; below -5% it reads as 7A. With key lock on, it stays 2A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 81/100).
Similar tempo
Within ±3 BPM of 125 — beatmatch without a big tempo pull.
More house
More from Kolter
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 125 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
