Metro Voices
30s preview
- BPM
- 125
- Open Key
- 9d
- Energy
- 80/100
- Pop
- 2/100
- Length
- 10:30
- Released
- 2020
- Album
- Just Drums
- Genre
- House
- Loudness
- -11.4 dB
- Dynamics
- 10.8 dB
- ISRC
- USMKQ2000016
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Metro Voices runs 125 BPM in A♭ major (4B), a club-tempo house record. Tonally it lands dark and driving. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. More bass-heavy than 95% of Todd Terry's catalogue. In a set it works best as a peak-time weapon.
- Brightness:
- darker than 88% of Todd Terry's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 40%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 21%
- Upper-mid
- 570 Hz-2.5 kHz
- 10%
- High
- 2.5-11 kHz
FAQ
What key is Metro Voices in?
Metro Voices by Todd Terry is in A♭ major, or 4B on the Camelot wheel.
What BPM is Metro Voices?
Metro Voices runs at 125 BPM, a club-tempo track.
What mixes well with Metro Voices?
From 4B it blends harmonically with 5B, 4A, 3B. Moving to 5B lifts the energy a step.
Is Metro Voices good for peak time?
With energy 80 out of 100 at 125 BPM, it works best as a peak-time weapon.
Mixes harmonically
4B → 3B · 5B · 4AFrom 4B, 5B (E♭ major) lifts the energy a step; 4A (F minor) settles into the relative minor; 3B (D♭ major) cools the energy down a step.
How to mix it
In 4B at 125 BPM: 5B (E♭ major) — move to 5B to push the floor harder; 4A (F minor) — switch to 4A for a mood change without losing the groove; 3B (D♭ major) — drop to 3B to bring the room down gently.
Pitch range at ±6%: 117-133 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 11B rather than 4B; below -5% it reads as 9B. With key lock on, it stays 4B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 80/100).
Similar tempo
Within ±3 BPM of 125 — beatmatch without a big tempo pull.
More house
More from Todd Terry
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 125 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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