I Feel It
30s preview
- BPM
- 127
- Open Key
- 7m
- Energy
- 56/100
- Pop
- 31/100
- Length
- 6:08
- Released
- 1995
- Album
- Finger Printz EP
- Genre
- Deep House
- Loudness
- -13.3 dB
- Dynamics
- 10.4 dB
- ISRC
- GBBXG0920203
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- I Feel It - DJ Deep's 2018 Retouchoriginal2A · 127
I Feel It: peak-time tempo deep house, E♭ minor (2A), 127 BPM. It reads as balanced in mood. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. A 1995 production that still circulates in sets. Better known than 98% of Kerri Chandler's catalogue. For programming, treat it as a mid-set roller.
- Low end:
- more bass-heavy than 93% of Kerri Chandler's catalogue
- Energy:
- calmer than 90% of Kerri Chandler's catalogue
- Tempo:
- faster than 90% of Kerri Chandler's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 43%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 16%
- Upper-mid
- 570 Hz-2.5 kHz
- 13%
- High
- 2.5-11 kHz
FAQ
What key is I Feel It in?
I Feel It by Kerri Chandler is in E♭ minor, or 2A on the Camelot wheel.
What BPM is I Feel It?
I Feel It runs at 127 BPM, a peak-time tempo track.
What mixes well with I Feel It?
From 2A it blends harmonically with 3A, 2B, 1A. Moving to 3A lifts the energy a step.
Is I Feel It good for peak time?
With energy 56 out of 100 at 127 BPM, it works best as a mid-set roller.
Mixes harmonically
2A → 1A · 3A · 2BFrom 2A, 3A (B♭ minor) lifts the energy a step; 2B (F♯ major) brightens to the relative major; 1A (A♭ minor) cools the energy down a step.
How to mix it
In 2A at 127 BPM: 3A (B♭ minor) — move to 3A to push the floor harder; 2B (F♯ major) — switch to 2B for a mood change without losing the groove; 1A (A♭ minor) — drop to 1A to bring the room down gently.
Pitch range at ±6%: 119-135 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 9A rather than 2A; below -5% it reads as 7A. With key lock on, it stays 2A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 127 — beatmatch without a big tempo pull.
More deep house
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Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 127 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
Vibes runs this same analysis on the music you own: keys, energy and vibe for every track, organized into sets you can actually play.