WORD (Chris Lorenzo remix)
30s preview
- BPM
- 125
- Open Key
- 3m
- Energy
- 81/100
- Pop
- 3/100
- Length
- 4:23
- Released
- 2019
- Genre
- Tech House
- Loudness
- -6.0 dB
- Dynamics
- 8.7 dB
- ISRC
- GBKQU2089800
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- WORDoriginal12A · 125
- WORD - Black V Neck Remixremix8B · 125
- WORD - Luke Andy Remixremix10A · 125
- WORD - VNSSA & Eric Mark Remixremix11A · 174
- WORD - Worthy Remixremix8B · 124
Against the original (12A at 125 BPM), this version holds the same tempo and moves the key from 12A to 10A.
WORD (Chris Lorenzo remix): club-tempo tech house, B minor (10A), 125 BPM. The feel is bright and euphoric. The groove is strong and floor-ready. Its spectrum is weighted to the sub and kick, with a heavy low end. Brighter than 88% of Walker & Royce's catalogue.
- Tempo:
- slower than 76% of Walker & Royce's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 37%
- Low
- 30-130 Hz
- 30%
- Low-mid
- 130-570 Hz
- 19%
- Upper-mid
- 570 Hz-2.5 kHz
- 13%
- High
- 2.5-11 kHz
FAQ
What key is WORD (Chris Lorenzo remix) in?
WORD (Chris Lorenzo remix) by Walker & Royce is in B minor, or 10A on the Camelot wheel.
What BPM is WORD (Chris Lorenzo remix)?
WORD (Chris Lorenzo remix) runs at 125 BPM, a club-tempo track.
What mixes well with WORD (Chris Lorenzo remix)?
From 10A it blends harmonically with 11A, 10B, 9A. Moving to 11A lifts the energy a step.
Is WORD (Chris Lorenzo remix) good for peak time?
With energy 81 out of 100 at 125 BPM, it works best as a peak-time weapon.
Mixes harmonically
10A → 9A · 11A · 10BFrom 10A, 11A (F♯ minor) lifts the energy a step; 10B (D major) brightens to the relative major; 9A (E minor) cools the energy down a step.
How to mix it
In 10A at 125 BPM: 11A (F♯ minor) — move to 11A to push the floor harder; 10B (D major) — switch to 10B for a mood change without losing the groove; 9A (E minor) — drop to 9A to bring the room down gently.
Pitch range at ±6%: 117-133 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5A rather than 10A; below -5% it reads as 3A. With key lock on, it stays 10A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 81/100).
Similar tempo
Within ±3 BPM of 125 — beatmatch without a big tempo pull.
More tech house
More from Walker & Royce
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 125 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
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