Ten Thousand Bridges (Denney's Luca remix)
- BPM
- 125
- Open Key
- 4m
- Energy
- 81/100
- Pop
- 0/100
- Length
- 6:43
- Released
- 2009
- Album
- Ten Thousand Bridges
- Genre
- House
- Loudness
- -9.4 dB
- ISRC
- GBYPK0800312
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Ten Thousand Bridges (Original)original1A · 125
- Ten Thousand Bridges (Pier Bucci - Apus remix)remix10A · 126
Against the original (1A at 125 BPM), this version holds the same tempo and moves the key from 1A to 11A.
Ten Thousand Bridges (Denney's Luca remix) runs 125 BPM in F♯ minor (11A), a club-tempo house record. The feel is dark and driving. The mix is almost entirely instrumental. A 2009 production that still circulates in sets. More underground than 99% of Darius Syrossian's catalogue. In a set it works best as a peak-time weapon.
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Ten Thousand Bridges (Denney's Luca remix) in?
Ten Thousand Bridges (Denney's Luca remix) by Darius Syrossian is in F♯ minor, or 11A on the Camelot wheel.
What BPM is Ten Thousand Bridges (Denney's Luca remix)?
Ten Thousand Bridges (Denney's Luca remix) runs at 125 BPM, a club-tempo track.
What mixes well with Ten Thousand Bridges (Denney's Luca remix)?
From 11A it blends harmonically with 12A, 11B, 10A. Moving to 12A lifts the energy a step.
Is Ten Thousand Bridges (Denney's Luca remix) good for peak time?
With energy 81 out of 100 at 125 BPM, it works best as a peak-time weapon.
Mixes harmonically
11A → 10A · 12A · 11BFrom 11A, 12A (D♭ minor) lifts the energy a step; 11B (A major) brightens to the relative major; 10A (B minor) cools the energy down a step.
How to mix it
In 11A at 125 BPM: 12A (D♭ minor) — move to 12A to push the floor harder; 11B (A major) — switch to 11B for a mood change without losing the groove; 10A (B minor) — drop to 10A to bring the room down gently.
Pitch range at ±6%: 117-133 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 6A rather than 11A; below -5% it reads as 4A. With key lock on, it stays 11A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 81/100).
Similar tempo
Within ±3 BPM of 125 — beatmatch without a big tempo pull.
More house
More from Darius Syrossian
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 125 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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