Feed the Dancefloor - Sean Cormac Remix
30s preview
- BPM
- 124
- Open Key
- 8m
- Energy
- 83/100
- Pop
- 0/100
- Length
- 6:21
- Released
- 2020
- Album
- Feed the Dancefloor
- Genre
- House
- Loudness
- -7.3 dB
- Dynamics
- 12.9 dB
- ISRC
- GBLV62017080
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Feed the Dancefloororiginal10A · 124
- Feed the Dancefloor - Jon Billick Remixremix3B · 126
- Feed the Dancefloor - Rissa Garcia Remixremix10A · 124
Against the original (10A at 124 BPM), this version holds the same tempo and moves the key from 10A to 3A.
At 124 BPM in B♭ minor (3A), Feed the Dancefloor - Sean Cormac Remix is a club-tempo house production. The groove is strong and floor-ready. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 13 dB). More underground than 99% of Todd Terry's catalogue.
- Tempo:
- slower than 80% of Todd Terry's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 34%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 21%
- Upper-mid
- 570 Hz-2.5 kHz
- 18%
- High
- 2.5-11 kHz
FAQ
What key is Feed the Dancefloor - Sean Cormac Remix in?
Feed the Dancefloor - Sean Cormac Remix by Todd Terry is in B♭ minor, or 3A on the Camelot wheel.
What BPM is Feed the Dancefloor - Sean Cormac Remix?
Feed the Dancefloor - Sean Cormac Remix runs at 124 BPM, a club-tempo track.
What mixes well with Feed the Dancefloor - Sean Cormac Remix?
From 3A it blends harmonically with 4A, 3B, 2A. Moving to 4A lifts the energy a step.
Is Feed the Dancefloor - Sean Cormac Remix good for peak time?
With energy 83 out of 100 at 124 BPM, it works best as a peak-time weapon.
Mixes harmonically
3A → 2A · 4A · 3BFrom 3A, 4A (F minor) lifts the energy a step; 3B (D♭ major) brightens to the relative major; 2A (E♭ minor) cools the energy down a step.
How to mix it
In 3A at 124 BPM: 4A (F minor) — move to 4A to push the floor harder; 3B (D♭ major) — switch to 3B for a mood change without losing the groove; 2A (E♭ minor) — drop to 2A to bring the room down gently.
Pitch range at ±6%: 117-131 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10A rather than 3A; below -5% it reads as 8A. With key lock on, it stays 3A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 83/100).
Similar tempo
Within ±3 BPM of 124 — beatmatch without a big tempo pull.
More house
More from Todd Terry
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 124 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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