From Day One
30s preview
- BPM
- 125
- Open Key
- 7d
- Energy
- 85/100
- Pop
- 0/100
- Length
- 5:38
- Released
- 2011
- Genre
- Deep House
- Loudness
- -8.9 dB
- Dynamics
- 8.8 dB
- ISRC
- GBBXG1120040
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
From Day One is a club-tempo deep house track in F♯ major (2B) at 125 BPM. Tonally it lands bright and euphoric. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. A 2011 production that still circulates in sets. More underground than 99% of Kerri Chandler's catalogue. For programming, treat it as a peak-time weapon.
- Low end:
- more bass-heavy than 94% of Kerri Chandler's catalogue
- Brightness:
- brighter than 77% of Kerri Chandler's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 44%
- Low
- 30-130 Hz
- 24%
- Low-mid
- 130-570 Hz
- 16%
- Upper-mid
- 570 Hz-2.5 kHz
- 16%
- High
- 2.5-11 kHz
FAQ
What key is From Day One in?
From Day One by Kerri Chandler is in F♯ major, or 2B on the Camelot wheel.
What BPM is From Day One?
From Day One runs at 125 BPM, a club-tempo track.
What mixes well with From Day One?
From 2B it blends harmonically with 3B, 2A, 1B. Moving to 3B lifts the energy a step.
Is From Day One good for peak time?
With energy 85 out of 100 at 125 BPM, it works best as a peak-time weapon.
Mixes harmonically
2B → 1B · 3B · 2AFrom 2B, 3B (D♭ major) lifts the energy a step; 2A (E♭ minor) settles into the relative minor; 1B (B major) cools the energy down a step.
![Sorry (James Hype Remix) [Extended] by James Hype cover art](https://qzoszznbkkwwjtagnyok.supabase.co/storage/v1/object/public/dj-covers/89f1b357560015b93a1f.webp){kind=small}
How to mix it
In 2B at 125 BPM: 3B (D♭ major) — move to 3B to push the floor harder; 2A (E♭ minor) — switch to 2A for a mood change without losing the groove; 1B (B major) — drop to 1B to bring the room down gently.
Pitch range at ±6%: 117-133 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 9B rather than 2B; below -5% it reads as 7B. With key lock on, it stays 2B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 85/100).
Similar tempo
Within ±3 BPM of 125 — beatmatch without a big tempo pull.
More deep house
![Subbie [Sub Club] - The Jackpot Mix by Kerri Chandler cover art](https://qzoszznbkkwwjtagnyok.supabase.co/storage/v1/object/public/dj-covers/3864cae2c4f8db13f423.webp){kind=small}
More from Kerri Chandler
Full profile
![The Morning Heat [La Grange] - Main Mix by Kerri Chandler cover art](https://qzoszznbkkwwjtagnyok.supabase.co/storage/v1/object/public/dj-covers/bb58f90a6bba632acaf6.webp){kind=small}
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 125 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
![Never Thought [Printworks] - 623 Again Instrumental by Kerri Chandler cover art](https://qzoszznbkkwwjtagnyok.supabase.co/storage/v1/object/public/dj-covers/0bfe745df4b497769804.webp){kind=small}
Every insight on this page, for your own library.
Vibes runs this same analysis on the music you own: keys, energy and vibe for every track, organized into sets you can actually play.