Don't Let Me Down
30s preview
- BPM
- 125
- Open Key
- 8d
- Energy
- 86/100
- Pop
- 0/100
- Length
- 5:55
- Released
- 2025
- Genre
- House
- Loudness
- -6.0 dB
- Dynamics
- 12.8 dB
- ISRC
- USMKQ2500025
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Don't Let Me Down - Editversion3B · 125
At 125 BPM in D♭ major (3B), Don't Let Me Down is a club-tempo house production. Tonally it lands dark and driving. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 13 dB). More underground than 99% of Todd Terry's catalogue. For programming, treat it as a peak-time weapon.
- Brightness:
- darker than 84% of Todd Terry's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 33%
- Low
- 30-130 Hz
- 26%
- Low-mid
- 130-570 Hz
- 22%
- Upper-mid
- 570 Hz-2.5 kHz
- 18%
- High
- 2.5-11 kHz
FAQ
What key is Don't Let Me Down in?
Don't Let Me Down by Todd Terry is in D♭ major, or 3B on the Camelot wheel.
What BPM is Don't Let Me Down?
Don't Let Me Down runs at 125 BPM, a club-tempo track.
What mixes well with Don't Let Me Down?
From 3B it blends harmonically with 4B, 3A, 2B. Moving to 4B lifts the energy a step.
Is Don't Let Me Down good for peak time?
With energy 86 out of 100 at 125 BPM, it works best as a peak-time weapon.
Mixes harmonically
3B → 2B · 4B · 3AFrom 3B, 4B (A♭ major) lifts the energy a step; 3A (B♭ minor) settles into the relative minor; 2B (F♯ major) cools the energy down a step.
How to mix it
In 3B at 125 BPM: 4B (A♭ major) — move to 4B to push the floor harder; 3A (B♭ minor) — switch to 3A for a mood change without losing the groove; 2B (F♯ major) — drop to 2B to bring the room down gently.
Pitch range at ±6%: 117-133 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10B rather than 3B; below -5% it reads as 8B. With key lock on, it stays 3B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 86/100).
Similar tempo
Within ±3 BPM of 125 — beatmatch without a big tempo pull.
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Beyond strict key and genre matches: tracks that still sit in beatmatch range of 125 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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Every insight on this page, for your own library.
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