Sume Sigh Say - David Cruz Edit
30s preview
- BPM
- 125
- Open Key
- 9d
- Energy
- 86/100
- Pop
- 2/100
- Length
- 2:53
- Released
- 2023
- Album
- Sume Sigh Say (David Cruz Remix)
- Genre
- House
- Loudness
- -5.4 dB
- Dynamics
- 10.8 dB
- ISRC
- USMKQ2300080
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Sume Sigh Say - Maw Editversion8B · 127
- Sume Sigh Say - Maw Extended Mixversion8B · 127
- Sume Sigh Say - Agent Orange DJ & Alexander Technique Remixremix10A · 128
- Sume Sigh Say - DJ Malvado RMXremix1B · 126
- Sume Sigh Say - Agent Orange DJ & Alexander Technique Reworkremix10A · 128
- Sume Sigh Sayoriginal8B · 123
Against the original (8B at 123 BPM), this version runs 2 BPM faster and moves the key from 8B to 4B.
Sume Sigh Say - David Cruz Edit: club-tempo house, A♭ major (4B), 125 BPM. The feel is punchy, neutral in mood. Rhythmically it is built for the dancefloor. Its spectrum is weighted to the sub and kick, with a heavy low end. More treble-tilted than 82% of Todd Terry's catalogue. In a set it works best as a peak-time weapon.
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 33%
- Low
- 30-130 Hz
- 30%
- Low-mid
- 130-570 Hz
- 21%
- Upper-mid
- 570 Hz-2.5 kHz
- 16%
- High
- 2.5-11 kHz
FAQ
What key is Sume Sigh Say - David Cruz Edit in?
Sume Sigh Say - David Cruz Edit by Todd Terry is in A♭ major, or 4B on the Camelot wheel.
What BPM is Sume Sigh Say - David Cruz Edit?
Sume Sigh Say - David Cruz Edit runs at 125 BPM, a club-tempo track.
What mixes well with Sume Sigh Say - David Cruz Edit?
From 4B it blends harmonically with 5B, 4A, 3B. Moving to 5B lifts the energy a step.
Is Sume Sigh Say - David Cruz Edit good for peak time?
With energy 86 out of 100 at 125 BPM, it works best as a peak-time weapon.
Mixes harmonically
4B → 3B · 5B · 4AFrom 4B, 5B (E♭ major) lifts the energy a step; 4A (F minor) settles into the relative minor; 3B (D♭ major) cools the energy down a step.
![Free To Love (feat. Karen Harding) - [Extended Version] by Louie Vega cover art](https://qzoszznbkkwwjtagnyok.supabase.co/storage/v1/object/public/dj-covers/108b673b4a6e0e7dcc12.webp){kind=small}
How to mix it
In 4B at 125 BPM: 5B (E♭ major) — move to 5B to push the floor harder; 4A (F minor) — switch to 4A for a mood change without losing the groove; 3B (D♭ major) — drop to 3B to bring the room down gently.
Pitch range at ±6%: 117-133 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 11B rather than 4B; below -5% it reads as 9B. With key lock on, it stays 4B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 86/100).
Similar tempo
Within ±3 BPM of 125 — beatmatch without a big tempo pull.
More house
More from Todd Terry
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 125 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
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