Sume Sigh Say - Maw Extended Mix by Todd Terry cover art

Sume Sigh Say - Maw Extended Mix

Todd Terry

30s preview

Key
8B · C major
BPM
127
Open Key
1d
Energy
92/100
Pop
22/100
Length
7:50
Released
2020
Album
Sume Sigh Say (Ultimate Remixes)
Genre
House
Loudness
-6.2 dB
Dynamics
14.0 dB
ISRC
USMKQ1400128

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Other versions

Against the original (8B at 123 BPM), this version runs 4 BPM faster in the same key.

Sume Sigh Say - Maw Extended Mix runs 127 BPM in C major (8B), a peak-time tempo house record. The feel is dark and driving. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 14 dB). Groovier than 97% of Todd Terry's catalogue. In a set it works best as a peak-time weapon.

Reach:
better known than 96% of Todd Terry's catalogue
Tempo:
faster than 91% of Todd Terry's catalogue
Brightness:
darker than 91% of Todd Terry's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy92
Mood20Dark
Groove90
Acoustic4
Instrumental79
Live7
Speech15

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
33%
Low
30-130 Hz
27%
Low-mid
130-570 Hz
22%
Upper-mid
570 Hz-2.5 kHz
18%
High
2.5-11 kHz

FAQ

What key is Sume Sigh Say - Maw Extended Mix in?

Sume Sigh Say - Maw Extended Mix by Todd Terry is in C major, or 8B on the Camelot wheel.

What BPM is Sume Sigh Say - Maw Extended Mix?

Sume Sigh Say - Maw Extended Mix runs at 127 BPM, a peak-time tempo track.

What mixes well with Sume Sigh Say - Maw Extended Mix?

From 8B it blends harmonically with 9B, 8A, 7B. Moving to 9B lifts the energy a step.

Is Sume Sigh Say - Maw Extended Mix good for peak time?

With energy 92 out of 100 at 127 BPM, it works best as a peak-time weapon.

Mixes harmonically

8B7B · 9B · 8A

From 8B, 9B (G major) lifts the energy a step; 8A (A minor) settles into the relative minor; 7B (F major) cools the energy down a step.

Every move from 8B

9BSimple Mix Upper
7BSimple Mix Downer
8ATonal Shift·
9ADiagonal Mix Upper
7ADiagonal Mix Downer
11ACompatible Tone·
10BHigh Energy Boost▲▲▲
6BHigh Energy Drain▼▼▼
11BParallel Key Upper▲▲
5BParallel Key Downer▼▼
3BTritone Jump▲▲
12BRelated Keyrisky

How to mix it

In 8B at 127 BPM: 9B (G major) — move to 9B to push the floor harder; 8A (A minor) — switch to 8A for a mood change without losing the groove; 7B (F major) — drop to 7B to bring the room down gently.

Pitch range at ±6%: 119-135 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 3B rather than 8B; below -5% it reads as 1B. With key lock on, it stays 8B across the whole range.

Programming: a peak-time weapon — save it for the main stretch (energy 92/100).

Similar tempo

Within ±3 BPM of 127 — beatmatch without a big tempo pull.

More house

More from Todd Terry

Full profile
#TrackKey·BPM

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 127 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#TrackKey·BPM

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