
Sume Sigh Say - Maw Extended Mix
30s preview
- Key
- 8B · C major
- BPM
- 127
- Open Key
- 1d
- Energy
- 92/100
- Pop
- 22/100
- Length
- 7:50
- Released
- 2020
- Album
- Sume Sigh Say (Ultimate Remixes)
- Genre
- House
- Loudness
- -6.2 dB
- Dynamics
- 14.0 dB
- ISRC
- USMKQ1400128
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Sume Sigh Say - Maw Editversion8B · 127
- Sume Sigh Say - Agent Orange DJ & Alexander Technique Remixremix10A · 128
- Sume Sigh Say - DJ Malvado RMXremix1B · 126
- Sume Sigh Say - Agent Orange DJ & Alexander Technique Reworkremix10A · 128
- Sume Sigh Say - David Cruz Editversion4B · 125
- Sume Sigh Sayoriginal8B · 123
Against the original (8B at 123 BPM), this version runs 4 BPM faster in the same key.
Sume Sigh Say - Maw Extended Mix runs 127 BPM in C major (8B), a peak-time tempo house record. The feel is dark and driving. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 14 dB). Groovier than 97% of Todd Terry's catalogue. In a set it works best as a peak-time weapon.
- Reach:
- better known than 96% of Todd Terry's catalogue
- Tempo:
- faster than 91% of Todd Terry's catalogue
- Brightness:
- darker than 91% of Todd Terry's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 33%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 22%
- Upper-mid
- 570 Hz-2.5 kHz
- 18%
- High
- 2.5-11 kHz
FAQ
What key is Sume Sigh Say - Maw Extended Mix in?
Sume Sigh Say - Maw Extended Mix by Todd Terry is in C major, or 8B on the Camelot wheel.
What BPM is Sume Sigh Say - Maw Extended Mix?
Sume Sigh Say - Maw Extended Mix runs at 127 BPM, a peak-time tempo track.
What mixes well with Sume Sigh Say - Maw Extended Mix?
From 8B it blends harmonically with 9B, 8A, 7B. Moving to 9B lifts the energy a step.
Is Sume Sigh Say - Maw Extended Mix good for peak time?
With energy 92 out of 100 at 127 BPM, it works best as a peak-time weapon.
Mixes harmonically
8B → 7B · 9B · 8AFrom 8B, 9B (G major) lifts the energy a step; 8A (A minor) settles into the relative minor; 7B (F major) cools the energy down a step.
How to mix it
In 8B at 127 BPM: 9B (G major) — move to 9B to push the floor harder; 8A (A minor) — switch to 8A for a mood change without losing the groove; 7B (F major) — drop to 7B to bring the room down gently.
Pitch range at ±6%: 119-135 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 3B rather than 8B; below -5% it reads as 1B. With key lock on, it stays 8B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 92/100).
Similar tempo
Within ±3 BPM of 127 — beatmatch without a big tempo pull.
More house
More from Todd Terry
Full profileOther recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 127 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
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