Sume Sigh Say - DJ Malvado RMX
- Key
- 1B · B major
- BPM
- 126
- Open Key
- 6d
- Energy
- 75/100
- Pop
- 9/100
- Length
- 3:30
- Released
- 2020
- Album
- Sume Sigh Say (DJ Malvado RMX)
- Genre
- House
- Loudness
- -7.2 dB
- ISRC
- USMKQ2000008
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Sume Sigh Say - Maw Editversion8B · 127
- Sume Sigh Say - Maw Extended Mixversion8B · 127
- Sume Sigh Say - Agent Orange DJ & Alexander Technique Remixremix10A · 128
- Sume Sigh Say - Agent Orange DJ & Alexander Technique Reworkremix10A · 128
- Sume Sigh Say - David Cruz Editversion4B · 125
- Sume Sigh Sayoriginal8B · 123
Against the original (8B at 123 BPM), this version runs 3 BPM faster and moves the key from 8B to 1B.
A club-tempo house cut, Sume Sigh Say - DJ Malvado RMX sits in B major (1B) at 126 BPM. The feel is punchy, neutral in mood. The groove is strong and floor-ready. It is vocal-led. Groovier than 94% of Todd Terry's catalogue. In a set it works best as a peak-time weapon.
- Reach:
- better known than 88% of Todd Terry's catalogue
- Energy:
- calmer than 83% of Todd Terry's catalogue
- Tempo:
- faster than 77% of Todd Terry's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Sume Sigh Say - DJ Malvado RMX in?
Sume Sigh Say - DJ Malvado RMX by Todd Terry is in B major, or 1B on the Camelot wheel.
What BPM is Sume Sigh Say - DJ Malvado RMX?
Sume Sigh Say - DJ Malvado RMX runs at 126 BPM, a club-tempo track.
What mixes well with Sume Sigh Say - DJ Malvado RMX?
From 1B it blends harmonically with 2B, 1A, 12B. Moving to 2B lifts the energy a step.
Is Sume Sigh Say - DJ Malvado RMX good for peak time?
With energy 75 out of 100 at 126 BPM, it works best as a peak-time weapon.
Mixes harmonically
1B → 12B · 2B · 1AFrom 1B, 2B (F♯ major) lifts the energy a step; 1A (A♭ minor) settles into the relative minor; 12B (E major) cools the energy down a step.
How to mix it
In 1B at 126 BPM: 2B (F♯ major) — move to 2B to push the floor harder; 1A (A♭ minor) — switch to 1A for a mood change without losing the groove; 12B (E major) — drop to 12B to bring the room down gently.
Pitch range at ±6%: 118-134 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 8B rather than 1B; below -5% it reads as 6B. With key lock on, it stays 1B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 75/100).
Similar tempo
Within ±3 BPM of 126 — beatmatch without a big tempo pull.
More house
More from Todd Terry
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 126 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
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