Da Jungle - Gene Farris After Monday Mix
- BPM
- 126
- Open Key
- 3m
- Energy
- 75/100
- Pop
- 0/100
- Length
- 7:48
- Released
- 2009
- Album
- Da Jungle
- Genre
- House
- Loudness
- -12.5 dB
- ISRC
- QMSNZ1258363
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Da Jungle - Audiodamage Mixoriginal4A · 128
- Da Jungle - Dirty Jungle Mixoriginal4B · 126
- Da Jungle - DJ Pierre's Afro Acid Mixoriginal3A · 126
- Da Jungle - Pierre Deutchmann Remixremix9B · 126
- Da Jungle - Rio Piedra Tribal Dubversion3B · 125
- Da Jungle - Sergia Mega Remixremix3B · 127
Da Jungle - Gene Farris After Monday Mix is a club-tempo house track in B minor (10A) at 126 BPM. It reads as punchy, neutral in mood. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. The master keeps real dynamic headroom. A 2009 production that still circulates in sets. More underground than 99% of Louie Vega's catalogue. For programming, treat it as a floor-filler.
- Groove:
- groovier than 78% of Louie Vega's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Da Jungle - Gene Farris After Monday Mix in?
Da Jungle - Gene Farris After Monday Mix by Louie Vega is in B minor, or 10A on the Camelot wheel.
What BPM is Da Jungle - Gene Farris After Monday Mix?
Da Jungle - Gene Farris After Monday Mix runs at 126 BPM, a club-tempo track.
What mixes well with Da Jungle - Gene Farris After Monday Mix?
From 10A it blends harmonically with 11A, 10B, 9A. Moving to 11A lifts the energy a step.
Is Da Jungle - Gene Farris After Monday Mix good for peak time?
With energy 75 out of 100 at 126 BPM, it works best as a floor-filler.
Mixes harmonically
10A → 9A · 11A · 10BFrom 10A, 11A (F♯ minor) lifts the energy a step; 10B (D major) brightens to the relative major; 9A (E minor) cools the energy down a step.
How to mix it
In 10A at 126 BPM: 11A (F♯ minor) — move to 11A to push the floor harder; 10B (D major) — switch to 10B for a mood change without losing the groove; 9A (E minor) — drop to 9A to bring the room down gently.
Pitch range at ±6%: 118-134 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5A rather than 10A; below -5% it reads as 3A. With key lock on, it stays 10A across the whole range.
Programming: a floor-filler.
Similar tempo
Within ±3 BPM of 126 — beatmatch without a big tempo pull.
More house
More from Louie Vega
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 126 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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