Sume Sigh Say - Maw Edit
30s preview
- Key
- 8B · C major
- BPM
- 127
- Open Key
- 1d
- Energy
- 94/100
- Pop
- 22/100
- Length
- 3:51
- Released
- 2020
- Album
- Sume Sigh Say (Ultimate Remixes)
- Genre
- House
- Loudness
- -5.8 dB
- Dynamics
- 13.6 dB
- ISRC
- USMKQ2000045
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Sume Sigh Say - Maw Extended Mixversion8B · 127
- Sume Sigh Say - Agent Orange DJ & Alexander Technique Remixremix10A · 128
- Sume Sigh Say - DJ Malvado RMXremix1B · 126
- Sume Sigh Say - Agent Orange DJ & Alexander Technique Reworkremix10A · 128
- Sume Sigh Say - David Cruz Editversion4B · 125
- Sume Sigh Sayoriginal8B · 123
Against the original (8B at 123 BPM), this version runs 4 BPM faster in the same key.
Sume Sigh Say - Maw Edit: peak-time tempo house, C major (8B), 127 BPM. The master keeps unusual dynamic range for club music (crest 14 dB). Groovier than 99% of Todd Terry's catalogue.
- Reach:
- better known than 96% of Todd Terry's catalogue
- Tempo:
- faster than 91% of Todd Terry's catalogue
- Low end:
- more treble-tilted than 90% of Todd Terry's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 32%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 23%
- Upper-mid
- 570 Hz-2.5 kHz
- 18%
- High
- 2.5-11 kHz
FAQ
What key is Sume Sigh Say - Maw Edit in?
Sume Sigh Say - Maw Edit by Todd Terry is in C major, or 8B on the Camelot wheel.
What BPM is Sume Sigh Say - Maw Edit?
Sume Sigh Say - Maw Edit runs at 127 BPM, a peak-time tempo track.
What mixes well with Sume Sigh Say - Maw Edit?
From 8B it blends harmonically with 9B, 8A, 7B. Moving to 9B lifts the energy a step.
Is Sume Sigh Say - Maw Edit good for peak time?
With energy 94 out of 100 at 127 BPM, it works best as a peak-time weapon.
Mixes harmonically
8B → 7B · 9B · 8AFrom 8B, 9B (G major) lifts the energy a step; 8A (A minor) settles into the relative minor; 7B (F major) cools the energy down a step.
How to mix it
In 8B at 127 BPM: 9B (G major) — move to 9B to push the floor harder; 8A (A minor) — switch to 8A for a mood change without losing the groove; 7B (F major) — drop to 7B to bring the room down gently.
Pitch range at ±6%: 119-135 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 3B rather than 8B; below -5% it reads as 1B. With key lock on, it stays 8B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 94/100).
Similar tempo
Within ±3 BPM of 127 — beatmatch without a big tempo pull.
More house
More from Todd Terry
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 127 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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