Where's The Beat
- Key
- 9B · G major
- BPM
- 127
- Open Key
- 2d
- Energy
- 96/100
- Pop
- 12/100
- Length
- 6:41
- Released
- 2023
- Album
- Raver Ep
- Genre
- Tech House
- Loudness
- -7.8 dB
- ISRC
- GBKQU2349593
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Where's The Beat: peak-time tempo tech house, G major (9B), 127 BPM. Tonally it lands punchy, neutral in mood. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Better known than 86% of Max Chapman's catalogue. For programming, treat it as a peak-time weapon.
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Where's The Beat in?
Where's The Beat by Max Chapman is in G major, or 9B on the Camelot wheel.
What BPM is Where's The Beat?
Where's The Beat runs at 127 BPM, a peak-time tempo track.
What mixes well with Where's The Beat?
From 9B it blends harmonically with 10B, 9A, 8B. Moving to 10B lifts the energy a step.
Is Where's The Beat good for peak time?
With energy 96 out of 100 at 127 BPM, it works best as a peak-time weapon.
Mixes harmonically
9B → 8B · 10B · 9AFrom 9B, 10B (D major) lifts the energy a step; 9A (E minor) settles into the relative minor; 8B (C major) cools the energy down a step.
How to mix it
In 9B at 127 BPM: 10B (D major) — move to 10B to push the floor harder; 9A (E minor) — switch to 9A for a mood change without losing the groove; 8B (C major) — drop to 8B to bring the room down gently.
Pitch range at ±6%: 119-135 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4B rather than 9B; below -5% it reads as 2B. With key lock on, it stays 9B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 96/100).
Similar tempo
Within ±3 BPM of 127 — beatmatch without a big tempo pull.
More tech house
More from Max Chapman
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 127 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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