Xpress Yourself, Pt. 2 by Boys Noize cover art

Xpress Yourself, Pt. 2

Boys Noize

30s preview

Key
3A · B♭ minor
BPM
127
Open Key
8m
Energy
96/100
Pop
9/100
Length
5:28
Released
2021
Genre
Techno
Loudness
-6.5 dB
Dynamics
9.5 dB
ISRC
DEDU22000011

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

At 127 BPM in B♭ minor (3A), Xpress Yourself, Pt. 2 is a peak-time tempo techno production. The feel is punchy, neutral in mood. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. Hotter than 85% of Boys Noize's catalogue. For programming, treat it as a peak-time weapon.

Low end:
more bass-heavy than 77% of Boys Noize's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy96
Mood58Balanced
Groove77
Acoustic1
Instrumental83
Live24
Speech4

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
37%
Low
30-130 Hz
29%
Low-mid
130-570 Hz
21%
Upper-mid
570 Hz-2.5 kHz
13%
High
2.5-11 kHz

FAQ

What key is Xpress Yourself, Pt. 2 in?

Xpress Yourself, Pt. 2 by Boys Noize is in B♭ minor, or 3A on the Camelot wheel.

What BPM is Xpress Yourself, Pt. 2?

Xpress Yourself, Pt. 2 runs at 127 BPM, a peak-time tempo track.

What mixes well with Xpress Yourself, Pt. 2?

From 3A it blends harmonically with 4A, 3B, 2A. Moving to 4A lifts the energy a step.

Is Xpress Yourself, Pt. 2 good for peak time?

With energy 96 out of 100 at 127 BPM, it works best as a peak-time weapon.

Mixes harmonically

3A2A · 4A · 3B

From 3A, 4A (F minor) lifts the energy a step; 3B (D♭ major) brightens to the relative major; 2A (E♭ minor) cools the energy down a step.

#TrackKey·BPM

Every move from 3A

4ASimple Mix Upper
2ASimple Mix Downer
3BTonal Shift·
4BDiagonal Mix Upper
2BDiagonal Mix Downer
12BCompatible Tone·
5AHigh Energy Boost▲▲▲
1AHigh Energy Drain▼▼▼
6AParallel Key Upper▲▲
12AParallel Key Downer▼▼
10ATritone Jump▲▲
7ARelated Keyrisky

How to mix it

In 3A at 127 BPM: 4A (F minor) — move to 4A to push the floor harder; 3B (D♭ major) — switch to 3B for a mood change without losing the groove; 2A (E♭ minor) — drop to 2A to bring the room down gently.

Pitch range at ±6%: 119-135 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10A rather than 3A; below -5% it reads as 8A. With key lock on, it stays 3A across the whole range.

Programming: a peak-time weapon — save it for the main stretch (energy 96/100).

Similar tempo

Within ±3 BPM of 127 — beatmatch without a big tempo pull.

#TrackKey·BPM

More techno

#TrackKey·BPM

More from Boys Noize

Full profile
#TrackKey·BPM

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 127 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#TrackKey·BPM

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