Medellin To Miami - FLETCH Remix by Darius Syrossian cover art

Medellin To Miami - FLETCH Remix

Darius Syrossian

Key
12B · E major
BPM
127
Open Key
5d
Energy
96/100
Pop
19/100
Length
4:30
Released
2025
Album
Medellin To Miami EP
Genre
House
Loudness
-8.3 dB
ISRC
ITBHZ1401117

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Other versions

Against the original (3B at 127 BPM), this version holds the same tempo and moves the key from 3B to 12B.

Medellin To Miami - FLETCH Remix: peak-time tempo house, E major (12B), 127 BPM. The mix is almost entirely instrumental. Less groove-driven than 92% of Darius Syrossian's catalogue.

Energy:
hotter than 90% of Darius Syrossian's catalogue
Reach:
better known than 86% of Darius Syrossian's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy96
Mood67Bright
Groove72
Acoustic1
Instrumental78
Live7
Speech4

Frequency spectrum

amplitude · bass → treble

FAQ

What key is Medellin To Miami - FLETCH Remix in?

Medellin To Miami - FLETCH Remix by Darius Syrossian is in E major, or 12B on the Camelot wheel.

What BPM is Medellin To Miami - FLETCH Remix?

Medellin To Miami - FLETCH Remix runs at 127 BPM, a peak-time tempo track.

What mixes well with Medellin To Miami - FLETCH Remix?

From 12B it blends harmonically with 1B, 12A, 11B. Moving to 1B lifts the energy a step.

Is Medellin To Miami - FLETCH Remix good for peak time?

With energy 96 out of 100 at 127 BPM, it works best as a peak-time weapon.

Mixes harmonically

12B11B · 1B · 12A

From 12B, 1B (B major) lifts the energy a step; 12A (D♭ minor) settles into the relative minor; 11B (A major) cools the energy down a step.

#TrackKey·BPM

Every move from 12B

1BSimple Mix Upper
11BSimple Mix Downer
12ATonal Shift·
1ADiagonal Mix Upper
11ADiagonal Mix Downer
3ACompatible Tone·
2BHigh Energy Boost▲▲▲
10BHigh Energy Drain▼▼▼
3BParallel Key Upper▲▲
9BParallel Key Downer▼▼
7BTritone Jump▲▲
4BRelated Keyrisky

How to mix it

In 12B at 127 BPM: 1B (B major) — move to 1B to push the floor harder; 12A (D♭ minor) — switch to 12A for a mood change without losing the groove; 11B (A major) — drop to 11B to bring the room down gently.

Pitch range at ±6%: 119-135 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 7B rather than 12B; below -5% it reads as 5B. With key lock on, it stays 12B across the whole range.

Programming: a peak-time weapon — save it for the main stretch (energy 96/100).

Similar tempo

Within ±3 BPM of 127 — beatmatch without a big tempo pull.

#TrackKey·BPM

More house

#TrackKey·BPM

More from Darius Syrossian

Full profile
#TrackKey·BPM

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 127 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#TrackKey·BPM

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