Blue Mondays by Nora En Pure cover art

Blue Mondays

Nora En Pure

Key
9B · G major
BPM
125
Open Key
2d
Energy
87/100
Pop
2/100
Length
7:18
Released
2012
Genre
Progressive House
Loudness
-6.7 dB

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Blue Mondays runs 125 BPM in G major (9B), a club-tempo progressive house record. The feel is bright and euphoric. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. A 2012 production that still circulates in sets. Brighter than 99% of Nora En Pure's catalogue. In a set it works best as a peak-time weapon.

Tempo:
faster than 84% of Nora En Pure's catalogue
Reach:
more underground than 77% of Nora En Pure's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy87
Mood88Bright
Groove76
Acoustic0
Instrumental90
Live12
Speech8

Frequency spectrum

amplitude · bass → treble

FAQ

What key is Blue Mondays in?

Blue Mondays by Nora En Pure is in G major, or 9B on the Camelot wheel.

What BPM is Blue Mondays?

Blue Mondays runs at 125 BPM, a club-tempo track.

What mixes well with Blue Mondays?

From 9B it blends harmonically with 10B, 9A, 8B. Moving to 10B lifts the energy a step.

Is Blue Mondays good for peak time?

With energy 87 out of 100 at 125 BPM, it works best as a peak-time weapon.

Mixes harmonically

9B8B · 10B · 9A

From 9B, 10B (D major) lifts the energy a step; 9A (E minor) settles into the relative minor; 8B (C major) cools the energy down a step.

Every move from 9B

10BSimple Mix Upper
8BSimple Mix Downer
9ATonal Shift·
10ADiagonal Mix Upper
8ADiagonal Mix Downer
12ACompatible Tone·
11BHigh Energy Boost▲▲▲
7BHigh Energy Drain▼▼▼
12BParallel Key Upper▲▲
6BParallel Key Downer▼▼
4BTritone Jump▲▲
1BRelated Keyrisky

How to mix it

In 9B at 125 BPM: 10B (D major) — move to 10B to push the floor harder; 9A (E minor) — switch to 9A for a mood change without losing the groove; 8B (C major) — drop to 8B to bring the room down gently.

Pitch range at ±6%: 117-133 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4B rather than 9B; below -5% it reads as 2B. With key lock on, it stays 9B across the whole range.

Programming: a peak-time weapon — save it for the main stretch (energy 87/100).

Similar tempo

Within ±3 BPM of 125 — beatmatch without a big tempo pull.

More progressive house

More from Nora En Pure

Full profile

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 125 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

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