Letting People Be Wrong About You
30s preview
- BPM
- 125
- Open Key
- 5d
- Energy
- 86/100
- Pop
- 21/100
- Length
- 5:41
- Released
- 2024
- Album
- Not the One
- Genre
- Tech House
- Loudness
- -6.2 dB
- Dynamics
- 10.5 dB
- ISRC
- DEXN82422239
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Letting People Be Wrong About You runs 125 BPM in E major (12B), a club-tempo tech house record. The feel is dark and driving. Rhythmically it is built for the dancefloor. Its spectrum is weighted to the sub and kick, with a heavy low end. Hotter than 88% of Oliver Koletzki's catalogue. For programming, treat it as a peak-time weapon.
- Reach:
- better known than 82% of Oliver Koletzki's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 37%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 20%
- Upper-mid
- 570 Hz-2.5 kHz
- 16%
- High
- 2.5-11 kHz
FAQ
What key is Letting People Be Wrong About You in?
Letting People Be Wrong About You by Oliver Koletzki is in E major, or 12B on the Camelot wheel.
What BPM is Letting People Be Wrong About You?
Letting People Be Wrong About You runs at 125 BPM, a club-tempo track.
What mixes well with Letting People Be Wrong About You?
From 12B it blends harmonically with 1B, 12A, 11B. Moving to 1B lifts the energy a step.
Is Letting People Be Wrong About You good for peak time?
With energy 86 out of 100 at 125 BPM, it works best as a peak-time weapon.
Mixes harmonically
12B → 11B · 1B · 12AFrom 12B, 1B (B major) lifts the energy a step; 12A (D♭ minor) settles into the relative minor; 11B (A major) cools the energy down a step.
How to mix it
In 12B at 125 BPM: 1B (B major) — move to 1B to push the floor harder; 12A (D♭ minor) — switch to 12A for a mood change without losing the groove; 11B (A major) — drop to 11B to bring the room down gently.
Pitch range at ±6%: 117-133 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 7B rather than 12B; below -5% it reads as 5B. With key lock on, it stays 12B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 86/100).
Similar tempo
Within ±3 BPM of 125 — beatmatch without a big tempo pull.
More tech house
More from Oliver Koletzki
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 125 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
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