Mixologist - Piem Remix
30s preview
- BPM
- 125
- Open Key
- 8m
- Energy
- 85/100
- Pop
- 30/100
- Length
- 3:35
- Released
- 2020
- Album
- Mixologist (Piem Remix)
- Genre
- House
- Loudness
- -7.2 dB
- Dynamics
- 8.4 dB
- ISRC
- ES7842028236
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
A club-tempo house cut, Mixologist - Piem Remix sits in B♭ minor (3A) at 125 BPM. It reads as dark and driving. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. Better known than 92% of Honey Dijon's catalogue. In a set it works best as a peak-time weapon.
- Groove:
- less groove-driven than 87% of Honey Dijon's catalogue
- Low end:
- more bass-heavy than 87% of Honey Dijon's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 40%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 17%
- Upper-mid
- 570 Hz-2.5 kHz
- 16%
- High
- 2.5-11 kHz
FAQ
What key is Mixologist - Piem Remix in?
Mixologist - Piem Remix by Honey Dijon is in B♭ minor, or 3A on the Camelot wheel.
What BPM is Mixologist - Piem Remix?
Mixologist - Piem Remix runs at 125 BPM, a club-tempo track.
What mixes well with Mixologist - Piem Remix?
From 3A it blends harmonically with 4A, 3B, 2A. Moving to 4A lifts the energy a step.
Is Mixologist - Piem Remix good for peak time?
With energy 85 out of 100 at 125 BPM, it works best as a peak-time weapon.
Mixes harmonically
3A → 2A · 4A · 3BFrom 3A, 4A (F minor) lifts the energy a step; 3B (D♭ major) brightens to the relative major; 2A (E♭ minor) cools the energy down a step.
![Free To Love (feat. Karen Harding) - [Extended Version] by Louie Vega cover art](https://qzoszznbkkwwjtagnyok.supabase.co/storage/v1/object/public/dj-covers/108b673b4a6e0e7dcc12.webp){kind=small}
How to mix it
In 3A at 125 BPM: 4A (F minor) — move to 4A to push the floor harder; 3B (D♭ major) — switch to 3B for a mood change without losing the groove; 2A (E♭ minor) — drop to 2A to bring the room down gently.
Pitch range at ±6%: 117-133 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10A rather than 3A; below -5% it reads as 8A. With key lock on, it stays 3A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 85/100).
Similar tempo
Within ±3 BPM of 125 — beatmatch without a big tempo pull.
More house
![Hymn [extended mix] by Marsh cover art](https://i.scdn.co/image/ab67616d00001e02411be12a88984e4606a61c97){kind=small}
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Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 125 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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