I Am Europe - Claude VonStroke Take A Trip Alt Mix
30s preview
- BPM
- 126
- Open Key
- 9d
- Energy
- 48/100
- Pop
- 3/100
- Length
- 4:40
- Released
- 2011
- Album
- Makeovers
- Genre
- Tech House
- Loudness
- -7.3 dB
- Dynamics
- 8.9 dB
- ISRC
- US75Z1110053
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
I Am Europe - Claude VonStroke Take A Trip Alt Mix: club-tempo tech house, A♭ major (4B), 126 BPM. Its spectrum is weighted to the sub and kick, with a heavy low end. A 2011 production that still circulates in sets. More bass-heavy than 86% of Claude VonStroke's catalogue.
- Energy:
- calmer than 85% of Claude VonStroke's catalogue
- Brightness:
- brighter than 81% of Claude VonStroke's catalogue
- Groove:
- groovier than 80% of Claude VonStroke's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 41%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 22%
- Upper-mid
- 570 Hz-2.5 kHz
- 9%
- High
- 2.5-11 kHz
FAQ
What key is I Am Europe - Claude VonStroke Take A Trip Alt Mix in?
I Am Europe - Claude VonStroke Take A Trip Alt Mix by Claude VonStroke is in A♭ major, or 4B on the Camelot wheel.
What BPM is I Am Europe - Claude VonStroke Take A Trip Alt Mix?
I Am Europe - Claude VonStroke Take A Trip Alt Mix runs at 126 BPM, a club-tempo track.
What mixes well with I Am Europe - Claude VonStroke Take A Trip Alt Mix?
From 4B it blends harmonically with 5B, 4A, 3B. Moving to 5B lifts the energy a step.
Is I Am Europe - Claude VonStroke Take A Trip Alt Mix good for peak time?
With energy 48 out of 100 at 126 BPM, it works best as a mid-set roller.
Mixes harmonically
4B → 3B · 5B · 4AFrom 4B, 5B (E♭ major) lifts the energy a step; 4A (F minor) settles into the relative minor; 3B (D♭ major) cools the energy down a step.
How to mix it
In 4B at 126 BPM: 5B (E♭ major) — move to 5B to push the floor harder; 4A (F minor) — switch to 4A for a mood change without losing the groove; 3B (D♭ major) — drop to 3B to bring the room down gently.
Pitch range at ±6%: 118-134 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 11B rather than 4B; below -5% it reads as 9B. With key lock on, it stays 4B across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 126 — beatmatch without a big tempo pull.
More tech house
More from Claude VonStroke
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 126 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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