Degrees of Control
30s preview
- BPM
- 180
- Half-time
- 90
- Open Key
- 5m
- Energy
- 41/100
- Pop
- 30/100
- Length
- 3:07
- Released
- 2024
- Genre
- Tribal
- Loudness
- -6.8 dB
- Dynamics
- 12.8 dB
- ISRC
- QM4TW2412494
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
At 180 BPM in D♭ minor (12A), Degrees of Control is a tribal production. The feel is dark and steady. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 13 dB). Better known than 99% of Boddhi Satva's catalogue. In a set it works best as a warm-up or breakdown cut.
- Tempo:
- faster than 97% of Boddhi Satva's catalogue
- Energy:
- calmer than 93% of Boddhi Satva's catalogue
- Brightness:
- darker than 83% of Boddhi Satva's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 36%
- Low
- 30-130 Hz
- 31%
- Low-mid
- 130-570 Hz
- 19%
- Upper-mid
- 570 Hz-2.5 kHz
- 14%
- High
- 2.5-11 kHz
FAQ
What key is Degrees of Control in?
Degrees of Control by Boddhi Satva is in D♭ minor, or 12A on the Camelot wheel.
What BPM is Degrees of Control?
Degrees of Control runs at 180 BPM.
What mixes well with Degrees of Control?
From 12A it blends harmonically with 1A, 12B, 11A. Moving to 1A lifts the energy a step.
Is Degrees of Control good for peak time?
With energy 41 out of 100 at 180 BPM, it works best as a warm-up or breakdown cut.
Mixes harmonically
12A → 11A · 1A · 12BFrom 12A, 1A (A♭ minor) lifts the energy a step; 12B (E major) brightens to the relative major; 11A (F♯ minor) cools the energy down a step.
How to mix it
In 12A at 180 BPM: 1A (A♭ minor) — move to 1A to push the floor harder; 12B (E major) — switch to 12B for a mood change without losing the groove; 11A (F♯ minor) — drop to 11A to bring the room down gently.
Pitch range at ±6%: 169-191 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 7A rather than 12A; below -5% it reads as 5A. With key lock on, it stays 12A across the whole range.
Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.
Similar tempo
Within ±3 BPM of 180 — beatmatch without a big tempo pull.
More tribal
More from Boddhi Satva
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 180 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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