This is Why - Bria 83 Orchestra Mix
- BPM
- 93
- Double-time
- 186
- Open Key
- 4m
- Energy
- 45/100
- Pop
- 0/100
- Length
- 3:41
- Released
- 2025
- Album
- In Spite of Everything (Bria 83 Orchestra Remixes PT.1)
- Genre
- Tribal
- Loudness
- -12.5 dB
- ISRC
- QMFME2585433
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- This Is Whyoriginal12A · 94
This is Why - Bria 83 Orchestra Mix: slow-groove tempo tribal, F♯ minor (11A), 93 BPM. The feel is balanced in mood. Rhythmically it is built for the dancefloor. It is vocal-led. The master keeps real dynamic headroom. More underground than 99% of Boddhi Satva's catalogue. In a set it works best as a warm-up or breakdown cut.
- Tempo:
- slower than 96% of Boddhi Satva's catalogue
- Energy:
- calmer than 90% of Boddhi Satva's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is This is Why - Bria 83 Orchestra Mix in?
This is Why - Bria 83 Orchestra Mix by Boddhi Satva is in F♯ minor, or 11A on the Camelot wheel.
What BPM is This is Why - Bria 83 Orchestra Mix?
This is Why - Bria 83 Orchestra Mix runs at 93 BPM, a slow-groove tempo track.
What mixes well with This is Why - Bria 83 Orchestra Mix?
From 11A it blends harmonically with 12A, 11B, 10A. Moving to 12A lifts the energy a step.
Is This is Why - Bria 83 Orchestra Mix good for peak time?
With energy 45 out of 100 at 93 BPM, it works best as a warm-up or breakdown cut.
Mixes harmonically
11A → 10A · 12A · 11BFrom 11A, 12A (D♭ minor) lifts the energy a step; 11B (A major) brightens to the relative major; 10A (B minor) cools the energy down a step.
How to mix it
In 11A at 93 BPM: 12A (D♭ minor) — move to 12A to push the floor harder; 11B (A major) — switch to 11B for a mood change without losing the groove; 10A (B minor) — drop to 10A to bring the room down gently.
Pitch range at ±6%: 87-99 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 6A rather than 11A; below -5% it reads as 4A. With key lock on, it stays 11A across the whole range.
Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.
Similar tempo
Within ±3 BPM of 93 — beatmatch without a big tempo pull.
More tribal
More from Boddhi Satva
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 93 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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