I Love You Wrong
30s preview
- Key
- 6A · G minor
- BPM
- 178
- Half-time
- 89
- Open Key
- 11m
- Energy
- 67/100
- Pop
- 0/100
- Length
- 3:31
- Released
- 2025
- Genre
- Tribal
- Loudness
- -7.4 dB
- Dynamics
- 11.0 dB
- ISRC
- QMDA72558760
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
A tribal cut, I Love You Wrong sits in G minor (6A) at 178 BPM. Tonally it lands dark and driving. It is vocal-led. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 11 dB). More underground than 99% of Boddhi Satva's catalogue. For programming, treat it as an opener or closing-set piece.
- Tempo:
- faster than 97% of Boddhi Satva's catalogue
- Groove:
- less groove-driven than 97% of Boddhi Satva's catalogue
- Brightness:
- darker than 79% of Boddhi Satva's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 35%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 22%
- Upper-mid
- 570 Hz-2.5 kHz
- 15%
- High
- 2.5-11 kHz
FAQ
What key is I Love You Wrong in?
I Love You Wrong by Boddhi Satva is in G minor, or 6A on the Camelot wheel.
What BPM is I Love You Wrong?
I Love You Wrong runs at 178 BPM.
What mixes well with I Love You Wrong?
From 6A it blends harmonically with 7A, 6B, 5A. Moving to 7A lifts the energy a step.
Is I Love You Wrong good for peak time?
With energy 67 out of 100 at 178 BPM, it works best as an opener or closing-set piece.
Mixes harmonically
6A → 5A · 7A · 6BFrom 6A, 7A (D minor) lifts the energy a step; 6B (B♭ major) brightens to the relative major; 5A (C minor) cools the energy down a step.
How to mix it
In 6A at 178 BPM: 7A (D minor) — move to 7A to push the floor harder; 6B (B♭ major) — switch to 6B for a mood change without losing the groove; 5A (C minor) — drop to 5A to bring the room down gently.
Pitch range at ±6%: 167-189 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 1A rather than 6A; below -5% it reads as 11A. With key lock on, it stays 6A across the whole range.
Programming: an opener or closing-set piece.
Similar tempo
Within ±3 BPM of 178 — beatmatch without a big tempo pull.
More tribal
More from Boddhi Satva
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 178 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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