Killah Mbongo by Boddhi Satva cover art

Killah Mbongo

Boddhi Satva

30s preview

Key
10A · B minor
BPM
93
Double-time
186
Open Key
3m
Energy
80/100
Pop
4/100
Length
4:16
Released
2022
Genre
Tribal
Loudness
-9.5 dB
Dynamics
13.6 dB
ISRC
GBEQT2200076

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Killah Mbongo: slow-groove tempo tribal, B minor (10A), 93 BPM. The feel is dark and driving. The groove is strong and floor-ready. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 14 dB). Slower than 96% of Boddhi Satva's catalogue. In a set it works best as a floor-filler.

Low end:
more bass-heavy than 91% of Boddhi Satva's catalogue
Energy:
hotter than 84% of Boddhi Satva's catalogue
Reach:
better known than 80% of Boddhi Satva's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy80
Mood24Dark
Groove75
Acoustic7
Instrumental50
Live13
Speech7

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
45%
Low
30-130 Hz
26%
Low-mid
130-570 Hz
17%
Upper-mid
570 Hz-2.5 kHz
12%
High
2.5-11 kHz

FAQ

What key is Killah Mbongo in?

Killah Mbongo by Boddhi Satva is in B minor, or 10A on the Camelot wheel.

What BPM is Killah Mbongo?

Killah Mbongo runs at 93 BPM, a slow-groove tempo track.

What mixes well with Killah Mbongo?

From 10A it blends harmonically with 11A, 10B, 9A. Moving to 11A lifts the energy a step.

Is Killah Mbongo good for peak time?

With energy 80 out of 100 at 93 BPM, it works best as a floor-filler.

Mixes harmonically

10A9A · 11A · 10B

From 10A, 11A (F♯ minor) lifts the energy a step; 10B (D major) brightens to the relative major; 9A (E minor) cools the energy down a step.

#TrackKey·BPM

Every move from 10A

11ASimple Mix Upper
9ASimple Mix Downer
10BTonal Shift·
11BDiagonal Mix Upper
9BDiagonal Mix Downer
7BCompatible Tone·
12AHigh Energy Boost▲▲▲
8AHigh Energy Drain▼▼▼
1AParallel Key Upper▲▲
7AParallel Key Downer▼▼
5ATritone Jump▲▲
2ARelated Keyrisky

How to mix it

In 10A at 93 BPM: 11A (F♯ minor) — move to 11A to push the floor harder; 10B (D major) — switch to 10B for a mood change without losing the groove; 9A (E minor) — drop to 9A to bring the room down gently.

Pitch range at ±6%: 87-99 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5A rather than 10A; below -5% it reads as 3A. With key lock on, it stays 10A across the whole range.

Programming: a floor-filler.

Similar tempo

Within ±3 BPM of 93 — beatmatch without a big tempo pull.

#TrackKey·BPM

More tribal

#TrackKey·BPM

More from Boddhi Satva

Full profile
#TrackKey·BPM

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 93 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#TrackKey·BPM

Every insight on this page, for your own library.

Vibes runs this same analysis on the music you own: keys, energy and vibe for every track, organized into sets you can actually play.