You Come Knocking by Boddhi Satva cover art

You Come Knocking

Boddhi Satva

Key
3A · B♭ minor
BPM
180
Half-time
90
Open Key
8m
Energy
63/100
Pop
1/100
Length
3:28
Released
2022
Genre
Tribal
Loudness
-10.3 dB
ISRC
GBEQT2200070

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

A tribal cut, You Come Knocking sits in B♭ minor (3A) at 180 BPM. It reads as bright and euphoric. It leans atmospheric over strictly danceable. It is vocal-led. Spoken-word passages run through it. The master keeps real dynamic headroom. Less groove-driven than 99% of Boddhi Satva's catalogue. For programming, treat it as an opener or closing-set piece.

Tempo:
faster than 97% of Boddhi Satva's catalogue
Brightness:
brighter than 84% of Boddhi Satva's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy63
Mood68Bright
Groove44
Acoustic71
Instrumental0
Live18
Speech46

Frequency spectrum

amplitude · bass → treble

FAQ

What key is You Come Knocking in?

You Come Knocking by Boddhi Satva is in B♭ minor, or 3A on the Camelot wheel.

What BPM is You Come Knocking?

You Come Knocking runs at 180 BPM.

What mixes well with You Come Knocking?

From 3A it blends harmonically with 4A, 3B, 2A. Moving to 4A lifts the energy a step.

Is You Come Knocking good for peak time?

With energy 63 out of 100 at 180 BPM, it works best as an opener or closing-set piece.

Mixes harmonically

3A2A · 4A · 3B

From 3A, 4A (F minor) lifts the energy a step; 3B (D♭ major) brightens to the relative major; 2A (E♭ minor) cools the energy down a step.

#TrackKey·BPM

Every move from 3A

4ASimple Mix Upper
2ASimple Mix Downer
3BTonal Shift·
4BDiagonal Mix Upper
2BDiagonal Mix Downer
12BCompatible Tone·
5AHigh Energy Boost▲▲▲
1AHigh Energy Drain▼▼▼
6AParallel Key Upper▲▲
12AParallel Key Downer▼▼
10ATritone Jump▲▲
7ARelated Keyrisky

How to mix it

In 3A at 180 BPM: 4A (F minor) — move to 4A to push the floor harder; 3B (D♭ major) — switch to 3B for a mood change without losing the groove; 2A (E♭ minor) — drop to 2A to bring the room down gently.

Pitch range at ±6%: 169-191 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10A rather than 3A; below -5% it reads as 8A. With key lock on, it stays 3A across the whole range.

Programming: an opener or closing-set piece.

Similar tempo

Within ±3 BPM of 180 — beatmatch without a big tempo pull.

#TrackKey·BPM

More tribal

#TrackKey·BPM

More from Boddhi Satva

Full profile
#TrackKey·BPM

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 180 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#TrackKey·BPM

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