Mi Seh by Boddhi Satva cover art

30s preview

Key
5A · C minor
BPM
94
Double-time
188
Open Key
10m
Energy
52/100
Pop
0/100
Length
3:45
Released
2025
Album
Drums Of Becoming
Genre
Tribal
Loudness
-10.5 dB
Dynamics
11.0 dB
ISRC
QMFME2549914

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

A slow-groove tempo tribal cut, Mi Seh sits in C minor (5A) at 94 BPM. The feel is dark and steady. It is vocal-led. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 11 dB). Darker than 99% of Boddhi Satva's catalogue. In a set it works best as an opener or closing-set piece.

Reach:
more underground than 99% of Boddhi Satva's catalogue
Groove:
less groove-driven than 96% of Boddhi Satva's catalogue
Tempo:
slower than 95% of Boddhi Satva's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy52
Mood4Dark
Groove51
Acoustic10
Instrumental1
Live11
Speech4

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
38%
Low
30-130 Hz
31%
Low-mid
130-570 Hz
21%
Upper-mid
570 Hz-2.5 kHz
11%
High
2.5-11 kHz

FAQ

What key is Mi Seh in?

Mi Seh by Boddhi Satva is in C minor, or 5A on the Camelot wheel.

What BPM is Mi Seh?

Mi Seh runs at 94 BPM, a slow-groove tempo track.

What mixes well with Mi Seh?

From 5A it blends harmonically with 6A, 5B, 4A. Moving to 6A lifts the energy a step.

Is Mi Seh good for peak time?

With energy 52 out of 100 at 94 BPM, it works best as an opener or closing-set piece.

Mixes harmonically

5A4A · 6A · 5B

From 5A, 6A (G minor) lifts the energy a step; 5B (E♭ major) brightens to the relative major; 4A (F minor) cools the energy down a step.

#TrackKey·BPM

Every move from 5A

6ASimple Mix Upper
4ASimple Mix Downer
5BTonal Shift·
6BDiagonal Mix Upper
4BDiagonal Mix Downer
2BCompatible Tone·
7AHigh Energy Boost▲▲▲
3AHigh Energy Drain▼▼▼
8AParallel Key Upper▲▲
2AParallel Key Downer▼▼
12ATritone Jump▲▲
9ARelated Keyrisky

How to mix it

In 5A at 94 BPM: 6A (G minor) — move to 6A to push the floor harder; 5B (E♭ major) — switch to 5B for a mood change without losing the groove; 4A (F minor) — drop to 4A to bring the room down gently.

Pitch range at ±6%: 88-100 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 12A rather than 5A; below -5% it reads as 10A. With key lock on, it stays 5A across the whole range.

Programming: an opener or closing-set piece.

Similar tempo

Within ±3 BPM of 94 — beatmatch without a big tempo pull.

#TrackKey·BPM

More tribal

#TrackKey·BPM

More from Boddhi Satva

Full profile
#TrackKey·BPM

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 94 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#TrackKey·BPM

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